Performance & Direction: The Big Broadcast of 1936 Review
Last updated: February 6, 2026
Quick Verdict: Hit or Flop?
Is The Big Broadcast of 1936 (1935) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.5/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Music.
Cast Performances: A Masterclass
The success of any Music is often anchored by its ensemble, and The Big Broadcast of 1936 features a noteworthy lineup led by Jack Oakie . Supported by the likes of George Burns and Gracie Allen , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Big Broadcast of 1936
Quick Plot Summary: The Big Broadcast of 1936 is a Music film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: The Big Broadcast of 1936
Ending Breakdown: The Big Broadcast of 1936 attempts to tie together its various plot elements. The finale presents its approach to music resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the music themes established throughout the runtime.
The final moments of The Big Broadcast of 1936 reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Big Broadcast of 1936?
Consider Watching If:
- You're a completist for Music films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: The Big Broadcast of 1936
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The Big Broadcast of 1936 Parents Guide & Age Rating
1935 AdvisoryWondering about The Big Broadcast of 1936 age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Big Broadcast of 1936 is 98 minutes (1h 38m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.5/10, and global performance metrics, The Big Broadcast of 1936 is classified as a ABOVE AVERAGE. It remains an essential part of the 1935 cinematic calendar.
Frequently Asked Questions
Is The Big Broadcast of 1936 worth watching?
The Big Broadcast of 1936 is definitely worth watching if you enjoy Music movies. It has a verified rating of 5.5/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find The Big Broadcast of 1936 parents guide and age rating?
The official parents guide for The Big Broadcast of 1936 identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Big Broadcast of 1936?
The total duration of The Big Broadcast of 1936 is 98 minutes, which is approximately 1h 38m long.
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Critic Reviews for The Big Broadcast of 1936
To be fair to director Norman Taurog, at least he has tried to inject the semblance of a story into this otherwise entertaining but routine revue-style film showcasing a plethora of talent strutting their stuff! That story is put into the safe hands of George Burns and Gracie Allen who have invented a gizmo that could give Orwell’s “Big Brother” a run for its money! Not only can it intercept transmissions from anywhere in the world, but it can see what is going on in the privacy of people’s living rooms. This is of great interest to the sceptical radio entrepreneur “Spud” (Jack Oakie) who sees great potential for it to help him win a competition worth $250,000 of advertising revenue. There are loads of familiar faces playing straight and comic roles throughout this feature and in many ways it offers us quite an interesting look at just how important radio was in 1935. Some of it, tap-dancing for example, did not seem the most obvious to work on the wireless, but by manufacturing audience scenarios via his “Radio Eye”, we are led to appreciate just how popular many of those more visual acts were. There’s plenty of humour here ranging from the slapstick to the witty; Ethel Merman belts out “It’s the Animal in Me”, Bing Crosby croons “I Wished on the Moon” and although it is an easy enough watch, it did strike me as being more of a celebration of the theatre rather then the silver screen. An engaging anthology of what we watched back then, but maybe not one you’d need to watch too often.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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