Performance & Direction: The Big Fisherman Review
Last updated: February 4, 2026
Quick Verdict: Hit or Flop?
Is The Big Fisherman (1959) worth watching? According to our cinematic analysis, the film stands as a AVERAGE with a verified audience rating of 4.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and The Big Fisherman features a noteworthy lineup led by Howard Keel . Supported by the likes of Susan Kohner and John Saxon , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Big Fisherman
Quick Plot Summary: The Big Fisherman is a Drama film that explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: The Big Fisherman
Ending Breakdown: The Big Fisherman attempts to tie together its various plot elements. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of The Big Fisherman reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Big Fisherman?
Consider Watching If:
- You're a completist for Drama films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Box Office Collection: The Big Fisherman
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $4.0M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The Big Fisherman Budget
The estimated production budget for The Big Fisherman is $4.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: The Big Fisherman
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The Big Fisherman Parents Guide & Age Rating
1959 AdvisoryWondering about The Big Fisherman age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Big Fisherman is 180 minutes (3h 0m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 4.6/10, and global performance metrics, The Big Fisherman is classified as a AVERAGE. It remains an essential part of the 1959 cinematic calendar.
Frequently Asked Questions
Is The Big Fisherman worth watching?
The Big Fisherman is definitely worth watching if you enjoy Drama movies. It has a verified rating of 4.6/10 and stands as a AVERAGE in our box office analysis.
Where can I find The Big Fisherman parents guide and age rating?
The official parents guide for The Big Fisherman identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Big Fisherman?
The total duration of The Big Fisherman is 180 minutes, which is approximately 3h 0m long.
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Critic Reviews for The Big Fisherman
So the Arab Princess "Hara"(Susan Kohner) is a favourite of King "Zendi" (Mark Dana) because the king has a fondness for her mother. It turns out that both were betrayed by the Tetrarch of Galilee (Herbert Lom) many years earlier, and that all have sworn vengeance of this man. When her badly wronged mother dies, the Princess decides to cut her black locks and don the guise of a lad so as to fulfil her newly taken murderous vow. Her travels find her encountering Simon Peter (Howard Keel) who soon realising that she is a woman - thanks to his mother-in-law, takes her into his home. This is all happening whilst her admirer from the desert "Prince Voldi" (John Saxon) is determined to fetch her back to her own people; and to try his own hand at carrying out their long held hope of assassinating their nemesis. The film is all over the place. Part Arabian adventure (the good part) and part birth of Christianity stuff (the not so good part). I kept waiting for Keel to burst into song and but for the efficient effort from Lom as the baddie Herod Antipas, this whole thing would be a poorly produced amalgam of a love story and a bible one. The production itself is colourful enough, the costumes and sets look fine but the story lacks a cohesive direction; it meanders and wanders and I did wonder what a man of Keel's stature was ever doing here.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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