The Court Jester
Performance & Direction: The Court Jester Review
Last updated: February 2, 2026
Quick Verdict: Hit or Flop?
Is The Court Jester (1955) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 7.3/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Music.
Cast Performances: A Masterclass
The success of any Music is often anchored by its ensemble, and The Court Jester features a noteworthy lineup led by Danny Kaye . Supported by the likes of Glynis Johns and Basil Rathbone , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Court Jester
Quick Plot Summary: The Court Jester is a Music, Adventure, Comedy film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: The Court Jester
Ending Breakdown: The Court Jester resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to music resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, providing closure while maintaining some ambiguity.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the music themes established throughout the runtime.
The final moments of The Court Jester reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Court Jester?
Worth Watching If You:
- Enjoy Music films and don't mind familiar tropes
- Are a fan of the cast or director
- Want solid genre entertainment
Box Office Collection: The Court Jester
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $4.0M |
| Trade Verdict | CLEAN HIT |
The Court Jester Budget
The estimated production budget for The Court Jester is $4.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: The Court Jester
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Where to Watch The Court Jester Online?
Streaming Hub🎟️ Rent on
Amazon VideoThe Court Jester Parents Guide & Age Rating
1955 AdvisoryWondering about The Court Jester age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Court Jester is 101 minutes (1h 41m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 7.3/10, and global performance metrics, The Court Jester is classified as a HIT. It remains an essential part of the 1955 cinematic calendar.
Frequently Asked Questions
Is The Court Jester worth watching?
The Court Jester is definitely worth watching if you enjoy Music movies. It has a verified rating of 7.3/10 and stands as a HIT in our box office analysis.
Where can I find The Court Jester parents guide and age rating?
The official parents guide for The Court Jester identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Court Jester?
The total duration of The Court Jester is 101 minutes, which is approximately 1h 41m long.
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How The Court Jester Compares & Where it Ranks
Critic Reviews for The Court Jester
Discretion is for fools and simpletons. From the opening credits as Danny Kaye sings dressed as a harlequin jester you get the impression that this film will be a joyous romp, and so it is. Perhaps the most talked about film in Kaye's CV (even though it lost close to two million dollars on release), The Court Jester is a perfect vehicle for his blend of madcap showboating and serene warbling. Here he gets to play both the coward and the hero in a delightful dual role that is as energetic as it is mirthful - and thankfully the supporting cast (Cecil Parker, Angela Lansbury and Basil Rathbone in particular) are clued into the nature of the film to bring about top entertaining results. Though to be fair, it would be ignorant of me to not point out that Glynis Johns' Maid Jean is under formed. A number of hilarious sequences stand out in the film, from Hubert Hawkins transformation back and forth as Giacomo, to a brilliantly funny knighting ceremony, the film ticks all the boxes for fun family entertainment. Whilst do I need to mention "the vessel with the pestle, the flagon with the dragon, and the chalice with the palace" section of film that rightly stands the time for classic status. Great songs, great routines, Kaye on form, with Rathbone as the hissable villain, what more do you need? The Court Jester, a perfect movie for all the family. 8/10
Really entertaining and all around fun musical parody featuring a charismatic performance from David Kaye and also has Basil Rathbone serviceable as the villain. Also nice having Glynis Johns and Angela Lansbury in there, Johns particularly stunning. **3.75/5**
Oh, this is a gem of celluloid that just keeps giving joy. An adventure, comedy, romance, musical made for the whole family. A movie written specifically for one actor (who then agrees to play the central part) doesnt happen often, let alone have that role portrayed with perfection....But Danny Kaye is that special kind of actor. A spoof of The Adventures Of Robin Hood that even managed to get its villain, the great Basil Rathbone (and its light-years ahead of Men In Tights). This is an underrated masterpiece that I watch, laugh at and notice new things regularly. It is one of those movies that can always lift your mood (or at the very least make you smile). The plot starts slowly and simply, becomes intricate, and weaves its medieval tapestry-like threads into a beautiful, neat picture at the end, tying everything up (as all good musicals should). The dialogue is at a level that we miss in modern film. And the timing of the lines is perfect from the classic chalice from the palace to the: “I’d like to get in, get on with it, get it over with, and get out. Get it? “Got it.” “Good.” This film is endlessly quotable (in fact, the quotes page on IMDB is lengthy). Perfectly cast, Kaye is supported by Johns and Landsbury who glide across their scenes with grace and beauty, and Rathbone sneers and schemes his way through his limited screen time. The swordplay in the final fight is glorious - up there with the best (the Princess Bride) in terms of skill and creativity. And the small gestures that the actors make through the movie, be they nudges, winks, kicks....the detail and timing here is outstanding and worthy of the greatest comedians in the business. What else - the costumes (perfectly completed by Edith Head) and sets are gorgeous. The colouring is stunning in a way that only a few films are. And the music will keep you humming (and whistling) for ages after. Hell, they even tried to make the credits interesting as Danny sings about the different roles involved in the making of the movie. My issues (and why its not 5 stars) - the pacing (it starts out very slow), the effects (rope swings, etc) and the "march" feel dated. But, I fell in love with this movie as a child (when my Mother introduced me to it). It became a regular watch on video. For me this has just gotten better as I get older, and like any long term loves, the issues fall aside. One of my top 10 favourites of all time.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









