Is The Death of Louis XIV Worth Watching?
Answer: Yes, The Death of Louis XIV is definitely worth watching if you enjoy Drama movies.
It features a runtime of 115 minutes and offers a standard storyline that appeals to general audiences.

Verdict:The Death of Louis XIV is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.5/10, it has delivered a mixed experience for fans of the Drama, History genre.
Answer: Yes, The Death of Louis XIV is definitely worth watching if you enjoy Drama movies.
It features a runtime of 115 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2016, The Death of Louis XIV emerges as a significant entry in the Drama, History domain. The narrative core of the film focuses on a sophisticated exploration of August 1715. Unlike standard genre fare, The Death of Louis XIV attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and The Death of Louis XIV features a noteworthy lineup led by Jean-Pierre Léaud . Supported by the likes of Patrick d'Assumçao and Marc Susini , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Death of Louis XIV (2016) is mixed. With an audience rating of 6.5/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Death of Louis XIV is a Drama, History film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Death of Louis XIV concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of The Death of Louis XIV reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Death of Louis XIV draws heavily from documented historical records. As a drama, history film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, with attention to period detail and historical context.
Accuracy Assessment: The Death of Louis XIV adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $17.4K |
| Trade Verdict | CLEAN HIT |








MUBI
MUBI Amazon Channel
Apple TV
Google Play Movies
YouTube
Fandango At Home
Apple TV
Google Play Movies
YouTube
Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 6.5/10, and global collection metrics, The Death of Louis XIV stands as a successful venture for the creators. It remains an essential piece of the 2016 cinematic year.
The Death of Louis XIV has received mixed reviews with a 6.5/10 rating, making it a moderate success with the audience.
The Death of Louis XIV is a mixed bag. It might be worth watching if you're a fan of Drama, History movies, but read reviews first.
The Death of Louis XIV is currently available for streaming on MUBI. You can also check for it on platforms like MUBI, MUBI Amazon Channel depending on your region.
I was wondering, as I watched this, just how the last few days of Queen Elizabeth II - herself reigning for almost as long - might have looked in comparison with this depiction of the last few days of the acclaimed 'Sun King". Somehow, I doubt she would have been surrounded by quite such a grouping of acolytes and sycophants. Such a collection of quacks and hangers-on riddled with an obsequiousness that would have made "Obadiah Slope" blush. The King has taken to his bed, at the age of 76, suffering from acute pains in his leg. Perched, rather uncomfortably, and adorned with a wig that would not have looked out of place on a lion, we spend the next few days watching this once great, stylish, flamboyant and shrewd man edge towards his meeting with his maker. Jean-Pierre Léaud doesn't really have a great deal to do here - occasionally sip some wine, or eat a biscuit, or take a short stroll around his couch. For the most part he lies there, breathing heavily, allowing the establishment around him to gradually unravel. His long-term lover Mme. de Maintenon (Irène Silvagni) is his principal source of comfort, Marc Susini his valet - a far grander role than the title suggests, tries to keep him contented and a collection of doctors all busy themselves about him - largely without the faintest idea of what is actually wrong much less how to treat their ailing monarch. If you are looking for something with pace, then this is certainly not for you. What Albert Serra delivers here is almost like a fly-on-the-wall documentary depicting the decline not just of the man, but of everything his life has stood for. The costumes look great and film relies on a lighting regime that is entirely plausible - if a little lacking in lux at times. The audio could maybe have been doing with a bit of a boost, but the serene effort from Léaud and the scenario itself provides adequate compensation as we, quite literally, watch the end of an era. On balance, I reckon the late Queen probably had a more private, and medically more competent, time of it....
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.