Is The Devil Bat Worth Watching?
Answer: Maybe not, The Devil Bat is likely a skip if you enjoy Horror movies.
It features a runtime of 68 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The Devil Bat is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.3/10, it has delivered a mixed experience for fans of the Horror, Science Fiction, Crime genre.
Answer: Maybe not, The Devil Bat is likely a skip if you enjoy Horror movies.
It features a runtime of 68 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1940, The Devil Bat emerges as a significant entry in the Horror, Science Fiction, Crime domain. The narrative core of the film focuses on a sophisticated exploration of Dr. Unlike standard genre fare, The Devil Bat attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and The Devil Bat features a noteworthy lineup led by Bela Lugosi . Supported by the likes of Suzanne Kaaren and Dave O'Brien , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Devil Bat (1940) is mixed. With an audience rating of 5.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Devil Bat is a Horror, Science Fiction, Crime film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Devil Bat attempts to tie together its various plot elements. The finale presents its approach to horror resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of The Devil Bat reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Devil Bat incorporates elements from real criminal cases. As a horror, science fiction, crime film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Devil Bat adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:







CultpixAnalyzing the audience sentiment, IMDb rating of 5.3/10, and global collection metrics, The Devil Bat stands as a challenging project for the creators. It remains an essential piece of the 1940 cinematic year.
The Devil Bat has received mixed reviews with a 5.3/10 rating, making it a moderate success with the audience.
The Devil Bat is a mixed bag. It might be worth watching if you're a fan of Horror, Science Fiction, Crime movies, but read reviews first.
The Devil Bat is currently available for streaming on Cultpix. You can also check for it on platforms like Cultpix depending on your region.
Imbecile, Bombastic, Ignoramus. The Devil Bat is directed by Jean Yarbrough and written by George Bricker and John T. Neville. It stars Bela Lugosi, Suzanne Kaaren, Dave O’Brien, Donald Kerr and Gary Usher. The Heathville Horror! Straight out of Poverty Row is this PRC production that’s as bonkers as it is fun. Plot sees Lugosi as a fed up cosmetic chemist who decides that the company he provides his inventions for have not done right by him financially. So in his secret laboratory at home he breeds big killer bats, bats that he rears to kill anyone wearing the scent of aftershave lotion that he has handed out to the targets of his ire. As the bodies begin to mount up and the press whip up a devil bat on the loose storm, journalists Henry Layden (O’Brien) and “One Shot McGuire” close in on the source of the town’s terror. The low budget is often evident, be it props and sets that shouldn’t move etc, but at just over an hour in length this gets in and does its job with a sort of carefree abandon that is to be admired. Lugosi is having fun shifting from borderline mania to crafty dastard with a sense of humour, and of course there are big scary bats that shriek before homing in for the girl. Result! The flaws are obvious throughout, not least that Lugosi ends up playing second fiddle to the journalists’ blend of bravado and buffoonery, but as time fillers go, and as Lugosi’s Poverty Row Horrors go, this is impossible to dislike and not have a good time with. 6/10
OK, so almost all of the peril comes from a man out of shot careering about with a plastic bat on the end of a fishing rod, but somehow this daft sci-fi hokum makes a point. It's all about the rather shrewd scientist "Carruthers" (Bela Lugosi) who feels slighted by his pals who made a load of long-term cash from an invention that he took the quick buck from. By way of exacting his cunning revenge, he has devised a formula that purports to be an after shave but is actually toxically attractive to a giant bat. Suffice to say, nobody survives their encounter for long and so soon both the police and the press are trying to get to the bottom of things as the corpses pile up. The rest of this is all standard drive-in fayre, but I did rather like the swipe it took at the pomposity of scientists who simply make things up when they don't know the facts. Of course, it's basic from start to finish but Lugosi keeps this adequately cast little beastie caper running along smoothy for quite an entertaining hour.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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