Is The Devil Strikes at Night Worth Watching?
Answer: Yes, The Devil Strikes at Night is definitely worth watching if you enjoy Drama movies.
It features a runtime of 100 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The Devil Strikes at Night is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.9/10, it has delivered a mixed experience for fans of the Drama, Thriller, Crime genre.
Answer: Yes, The Devil Strikes at Night is definitely worth watching if you enjoy Drama movies.
It features a runtime of 100 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1957, The Devil Strikes at Night emerges as a significant entry in the Drama, Thriller, Crime domain. The narrative core of the film focuses on a sophisticated exploration of Hamburg, Germany, 1944, during World War II. Unlike standard genre fare, The Devil Strikes at Night attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and The Devil Strikes at Night features a noteworthy lineup led by Claus Holm . Supported by the likes of Mario Adorf and Hannes Messemer , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Devil Strikes at Night (1957) is mixed. With an audience rating of 6.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Devil Strikes at Night is a Drama, Thriller, Crime film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Devil Strikes at Night concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The Devil Strikes at Night reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Devil Strikes at Night incorporates elements from real criminal cases. As a drama, thriller, crime film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Devil Strikes at Night adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:









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Google Play MoviesAnalyzing the audience sentiment, IMDb rating of 6.9/10, and global collection metrics, The Devil Strikes at Night stands as a successful venture for the creators. It remains an essential piece of the 1957 cinematic year.
The Devil Strikes at Night has received mixed reviews with a 6.9/10 rating, making it a moderate success with the audience.
The Devil Strikes at Night is a mixed bag. It might be worth watching if you're a fan of Drama, Thriller, Crime movies, but read reviews first.
The Devil Strikes at Night may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Serial Killer - Nazis - Same Thing! Nachts, wenn der Teufel kam is directed by Robert Siodmak and written by Will Berthold (article) and Werner Jörg Lüddecke. It stars Claus Holm, Annemarie Düringer, Mario Adorf, Hannes Messemer, Carl Lange and Werner Peters. Music is by Siegfried Franz and cinematography by Georg Krause. A serial killer is terrorising Hamburg, Germany, during World War II. When the local police struggle to catch him, the Gestapo are brought in to crack the case. The basis for the story is that of real life serial killer Bruno Lüdke, here played by Adorf. Yet this is only a side-bar to the actuality of Siodmak's film, for it's a clinical deconstruction of Nazi Germany at the time, a look at the final throes of that regime. It shows how the corrupt powers would do anything to not make their government look bad, with orders even coming from Adolf himself! It's all very fascinating and potent, and well performed. There's some nice visual touches via the night sequences, though you reasonably expect to have more from Siodmak, a fine purveyor of expressionism and noir chiaroscuro. There's some contrivances and a couple of badly staged action sequences, but this remains a tough political drama with mystery shadings. 8/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.