Is The Fly Worth Watching?
Answer: Yes, The Fly is definitely worth watching if you enjoy Horror movies.
It features a runtime of 96 minutes and offers a solid storyline that appeals to mature audiences.

Verdict:The Fly is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.4/10, it has delivered a compelling experience for fans of the Horror, Science Fiction genre.
Answer: Yes, The Fly is definitely worth watching if you enjoy Horror movies.
It features a runtime of 96 minutes and offers a solid storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1986, The Fly emerges as a significant entry in the Horror, Science Fiction domain. The narrative core of the film focuses on a sophisticated exploration of When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unlike standard genre fare, The Fly attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Horror is often anchored by its ensemble, and The Fly features a noteworthy lineup led by Jeff Goldblum . Supported by the likes of Geena Davis and John Getz , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Fly (1986) is overwhelmingly positive. With an audience rating of 7.4/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: The Fly is a Horror, Science Fiction film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
The horror unfolds through carefully crafted atmosphere and escalating dread. When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one. The film uses both psychological terror and visceral scares, building tension through what's unseen as much as what's shown. The pacing allows for breathing room between scares, making each frightening moment more effective.
Beneath the scares lies commentary on deeper fears—loss of control, the unknown, or societal anxieties manifested as literal monsters.
Ending Breakdown: The Fly resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to horror resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of The Fly reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $15.0M |
| Worldwide Gross | $60.6M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for The Fly is $15.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.








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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 7.4/10, and global collection metrics, The Fly stands as a successful venture for the creators. It remains an essential piece of the 1986 cinematic year.
The Fly is considered a hit based on audience response and box office performance. With a rating of 7.4/10, it's highly recommended for fans of Horror, Science Fiction movies.
Yes, The Fly is definitely worth watching! It's a must-watch hit for fans of Horror, Science Fiction cinema.
The Fly may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
_**Slowly turning into a monster, aka slowly succumbing to age**_ An eccentric scientist living in a warehouse laboratory in a big city in the Northeast (Jeff Goldblum) discovers how to teleport objects, which draws the attention of a journalist (Geena Davis). Everything is going fine until he foolishly uses his invention on himself and a pesky fly inadvertently teleports with him. John Getz is on hand as the woman’s editor while Joy Boushel has a notable small role as Tawny. "The Fly" (1986) has a lot of devotees presumably because of director/writer David Cronenberg, but I found it less effective compared to the 1958 version with Vincent Price. Despite the gory state-of-the-art effects, it’s just not as compelling or horrifying (especially that final scene in the original). The one-dimensional locations are also a turn-off: Excluding the great bar scene the whole movie takes place in a grungy lab or a swank office building. The cast trilogy is exceptionally tall. While Goldblum (6’4½”) is serviceable and gives it his all, he’s not leading man material, although he’s fine in secondary roles. And I was never big on Davis, but she’s a’right I guess. At least the two absolutely look & act like they were meant for each other. In its favor, the movie is a metaphor for how aging & disease slowly destroys the body. Despite the sickening visuals, it’s heartbreaking and tragic, which you might not expect in a sci-fi flick about a guy who morphs into a fly. It thankfully avoids the rut of camp and melodrama. The film runs 1 hour, 36 minutes, and was shot in Toronto with studio work done in nearby Kleinburg. GRADE: B-/C+
Nobody could ever call Jeff Goldbum a versatile actor, but here he is very much in his element as "Brundle". A madcap scientist, he dreams of being able to teleport things just like Willy Wonka does in 1971. He is almost as keen on journalist "Veronica" (Geena Davis) and so offers her exclusive access to follow and film his research. That all goes remarkably well - first a scarf, then more animated objects before, finally, himself. Snag is - well a fly just happened to sneak into the pod before the transferal and next thing he and his new dipteral cousin start a journey to the symbiotic relationship from Hell. He can crawl on the ceiling; fly and most impressively - dissolve his victims in his own vomit! David Cronenberg is having great fun with this as is Goldblum. The dialogue is entertaining and there is the most bizarre degree of chemistry between him and Davis who turns in one of her career defining performances. The visual and make-up effects - especially towards the end - offer a fitting denouement to this gory and frequently amusing sci-fi horror film that is nearly, but not quite, as good as the version from 1958. Certainly worth watching on a big screen if you can - somehow it just looks so much better there.
What was his electric bill and how did he not blow out every fuse in his building? Telepods must suck up a lot of juice. Anyway, it's fun. It is the typical 80s flick, with a plot that takes all of 5 minutes to get rolling and a cast that was talented and still cheap enough to throw in a sci-fi horror flick. But, you know, it's also mindless fun, it's not exactly deep, it's about science, and about the dangers of it, that never really manages to actually examine the dangers of science in any significant way... it's more along the lines of Kafka's Metamorphosis, which has already been examined. But it doesn't matter, because you are watching it for mindless entertainment.
The Fly is so good. Successful futurism. Seems the Fallout games benefitted. The physical effects are amazing and fun. Do not watch if gore sensitive. Why not build a smaller machine first to test on...flies, instead of going straight to human-sized machines and testing on baboons? They gotta be expensive. Mice? The ridiculous nature of the film is a delight. The performances entertain while enhancing the story (narrative). That guy is such an amazing douchebag. The film entertains and engages. Rare. I'm high on science. Gena Davis is beautiful. Would bang if Brundleflymly.
David Cronenberg’s The Fly is a grotesque, tragic, and strangely beautiful descent into body horror. What begins as a high-concept sci-fi romance slowly mutates much like its protagonist into something far more disturbing and unforgettable. One of my favorite movies!
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.



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