The Goddess
Performance & Direction: The Goddess Review
Last updated: January 23, 2026
Quick Verdict: Hit or Flop?
Is The Goddess (1934) worth watching? According to our cinematic analysis, the film stands as a SUPER HIT with a verified audience rating of 7.7/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and The Goddess features a noteworthy lineup led by Ruan Lingyu . Supported by the likes of Zhang Zhizhi and Keng Li , the performances bring a palpable realism to the scripted words.
Performance Analysis: The lead actors exhibit a remarkable range, navigating the emotional peaks and valleys of their respective characters with a precision that makes every motivation feel earned.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of The Goddess (1934) is overwhelmingly positive. With an audience rating of 7.7/10, it stands as a mandatory watch for any serious cinema lover.
Story & Plot Summary: The Goddess
Quick Plot Summary: The Goddess is a Drama film that explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: The Goddess
Ending Breakdown: The Goddess resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to drama resolution.
The emotional climax centers on character transformation, creating a memorable conclusion that audiences have responded to positively.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, providing closure while maintaining some ambiguity.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes in a way that feels organic to the story.
The final moments of The Goddess demonstrate careful narrative planning, offering an ending that aligns with the film's tone and style.
Who Should Watch The Goddess?
Highly Recommended For:
- Fans of Drama cinema looking for quality storytelling
- Viewers who appreciate emotionally resonant character studies and meaningful themes
- Anyone seeking a well-crafted film that delivers on its promises
Top Cast: The Goddess
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The Goddess Parents Guide & Age Rating
1934 AdvisoryWondering about The Goddess age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Goddess is 79 minutes (1h 19m). Ensuring you have enough time for the full cinematic experience.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 7.7/10, and global collection metrics, The Goddess stands as a successful venture for the creators. It remains an essential piece of the 1934 cinematic year.
Frequently Asked Questions
Is The Goddess worth watching?
The Goddess is definitely worth watching if you enjoy Drama movies. It has a verified rating of 7.7/10 and stands as a SUPER HIT in our box office analysis.
Where can I find The Goddess parents guide and age rating?
The official parents guide for The Goddess identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Goddess?
The total duration of The Goddess is 79 minutes, which is approximately 1h 19m long.
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How The Goddess Compares & Where it Ranks
Critic Reviews for The Goddess
There is something really quite poignant about this story of a young Chinese mother who finds herself trapped in a scenario that offers her little chance of liberation. She (Ruan Lingyu) is trying to bring up her baby son by working in a brothel. When the police raid that one evening, she darts down an alleyway and seeks shelter in what she doesn’t appreciate is the home of “Zhang” (Zhang Zhizhi). He’s a bully and an opportunist gambler who allows her the sanctuary of his home for a few seconds, but boy does she pay for that over the next few years as he avails himself of her body and her money, whilst ensuring her cooperation by threatening to sell her baby. As he grows up though, she determines that his must be a better life and so she scrimps and saves to get him into a private school. Initially that all goes well as the principal (Junpan Li) takes to this enthusiastic learner. Then the gossip mongers start to spread rumours about how she earns her cash, and soon the school is investigating whether it wants her “sort” or her son. It’s this scenario that finally forces her hand as she realises that things cannot go on as they are. The thing is, is anyone around her prepared to help or even allow her to change? With only sparing use of inter-titles as a guide, this story is delicately conveyed by a really powerful effort from a captivating Ruan Lingyu and from the intimidating Zhang Zhizhi as well as the benevolent Junpan Li and it illustrates just how tough life for was for just about anyone in 1930s China, let alone for an uneducated single mother at the mercy of an heartless pimp. Like many films of it’s day, it also makes great play on the importance of education as a tool to escape the poverty trap that ensnared so many for lack of opportunity. The presentation is subtle, there is little violence - per se - but the extent to which this woman is controlled by circumstance and by “Zhang” is never in doubt, nor is her devotion to a son (Keng Li) whose doe-eyed and affectionate glances at his mother are quite touching, too. It’s delicately paced, photographed and packs a lot of story into eighty minutes.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
