Is The House on Sorority Row Worth Watching?
Answer: Maybe not, The House on Sorority Row is likely a skip if you enjoy Horror movies.
It features a runtime of 91 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The House on Sorority Row is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.7/10, it has delivered a mixed experience for fans of the Horror, Mystery, Thriller genre.
Answer: Maybe not, The House on Sorority Row is likely a skip if you enjoy Horror movies.
It features a runtime of 91 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1982, The House on Sorority Row emerges as a significant entry in the Horror, Mystery, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of When the senior sorority sisters of Theta Pi decide to do in their demented house mother, someone seeks revenge, and begins a night of terror and madness. Unlike standard genre fare, The House on Sorority Row attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and The House on Sorority Row features a noteworthy lineup led by Kate McNeil . Supported by the likes of Eileen Davidson and Janis Ward , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The House on Sorority Row (1982) is mixed. With an audience rating of 5.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The House on Sorority Row is a Horror, Mystery, Thriller film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The House on Sorority Row attempts to tie together its various plot elements. The finale presents its approach to horror resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The House on Sorority Row reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $425.0K |
| Worldwide Gross | $10.6M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for The House on Sorority Row is $425.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.



Analyzing the audience sentiment, IMDb rating of 5.7/10, and global collection metrics, The House on Sorority Row stands as a challenging project for the creators. It remains an essential piece of the 1982 cinematic year.
The House on Sorority Row has received mixed reviews with a 5.7/10 rating, making it a moderate success with the audience.
The House on Sorority Row is a mixed bag. It might be worth watching if you're a fan of Horror, Mystery, Thriller movies, but read reviews first.
The House on Sorority Row may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Decent early 80s’ slasher with some script flaws RELEASED IN 1983 and written & directed by Mark Rosman Stoller, "The House on Sorority Row" chronicles events at a sorority house outside of Baltimore where seven girls responsible for an accidental death start dying one by one during their graduation party. The film borrows elements from “Black Christmas” (1974) and the French horror “Diabolique” (1955), like the unused swimming pool to conceal a body that later disappears. The first act is quite good, particularly the accidental death scene, which is well-acted for no-name actresses. Only two of the seven went on to a career in acting: The protagonist who plays Katie (Kate McNeil) and the slutty girl, Vicky (Eileen Davidson). Speaking of the girls, they present a realistic feminine smorgasbord with Morgan (Jodi Draigie) arguably being the most attractive. None of them, however, are anything to go gaga over (looks-wise, that is). What marred the film for me was the dubious writing. For instance, wouldn't the girls be perplexed at how a dead body mysteriously made it to the attic? What caused it to suddenly fall down the trap door? Why don’t any of the girls look at the face of the corpse to verify its identity? Would a couple of girls who know very little about guns seriously enact a prank using a questionable mixture of bullets and blanks? If you can get past these issues, “The House on Sorority Row” is a decent early 80s’ slasher with a worthy plot and pretty good production values. THE MOVIE RUNS 1 hour 31 minutes and was shot at Eltonhead Mansion in Pikesville, Maryland, with establishing shots done at University of Maryland, College Park. ADDITIONAL WRITER: Bobby Fine. GRADE: C
Has its moments I guess but nothing that really stands out other than a couple creepy shots. The performances are basic for this genre (though Akthryn McNeil was fine in the lead) while the kills are forgettable (just girls getting killed over and over using a cane). The twist also wasn't all that surprising either. Eh, it's fine however doubtful I'd ever revisit. **3.0/5**
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.