Is The Mastermind Worth Watching?
Answer: Maybe not, The Mastermind is likely a skip if you enjoy Crime movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The Mastermind is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.7/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Maybe not, The Mastermind is likely a skip if you enjoy Crime movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2025, The Mastermind emerges as a significant entry in the Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of In a sedate Massachusetts suburb circa 1970, unemployed family man and amateur art thief J. Unlike standard genre fare, The Mastermind attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and The Mastermind features a noteworthy lineup led by Josh O'Connor . Supported by the likes of Alana Haim and Hope Davis , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Mastermind (2025) is mixed. With an audience rating of 5.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Mastermind is a Crime, Drama film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. In a sedate Massachusetts suburb circa 1970, unemployed family man and amateur art thief J.B. Mooney sets out on his first heist. With the museum cased and accomplices recruited, he has an airtight plan. Or so he thinks. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Ending Breakdown: The Mastermind attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of The Mastermind reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Mastermind incorporates elements from real criminal cases. As a crime, drama film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Mastermind adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:








MUBI
MUBI Amazon Channel
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.7/10, and global collection metrics, The Mastermind stands as a challenging project for the creators. It remains an essential piece of the 2025 cinematic year.
The Mastermind has received mixed reviews with a 5.7/10 rating, making it a moderate success with the audience.
The Mastermind is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
The Mastermind is currently available for streaming on MUBI. You can also check for it on platforms like MUBI, MUBI Amazon Channel depending on your region.
The absolute best thing you can say about this movie is that you will always know exactly what time it is while watching it. I have never looked at my watch more. In a movie named "The Mastermind" you'd be excused for expecting anything that required forethought. You would be disappointed. At best, the storyline of this movie was half completed before they gave up on it and just decided it was a good place to put some end credits. The music absolutely never matches the mood of the movie, and at one point you decide that the next time you see a person playing a drum set, you will in fact make them wear the snare drum. I've never been angry at background music before. This movie is beyond boring. Never see it. If someone suggests you watch it, stop being their friend.
I wonder if the Frenchmen who just raided the Louvre in Paris maybe had a sneak preview screening of this, first? It’s all about the struggling “JB” (Josh O’Connor) who has come up with a cunning wheeze to raise some much needed cash seeing as his architect skills aren’t exactly in demand. There’s a modern art gallery in their town where the security guard is usually napping, and where the paintings are relatively poorly protected hanging on the walls. He decides to purloin four of them and then sell them on… Of course, the best laid plans and all that and though the robbery itself doesn’t prove so difficult, his choice of fellow felons soon means that his identity is no surprise to cops and (other) robbers alike. He’s going to have to split else he, and quite possibly his wife and two boisterous children, are in trouble. This has got to be the most glacially paced heist movie I have ever seen, and though O’Connor delivers well enough, there simply isn’t enough plot nor is there anything much to do for anyone else as the film turns into a sort of busman’s travelogue before an ending that didn’t really sit so well with me at all. It does have a very authentic look to it and the two young siblings deliver quite enthusiastically but Alana Haim simply hasn’t got very much to do as his wife “Terri” and I felt it just fizzled out far too early in it’s all but two hours duration. I watched this on my own in the cinema which is maybe a little unfair to it, but as I left I wasn’t really that surprised. One for the telly, I’d say.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.