Is The Missing Lady Worth Watching?
Answer: Maybe not, The Missing Lady is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 60 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The Missing Lady is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.6/10, it has delivered a mixed experience for fans of the Science Fiction, Crime, Drama, Mystery genre.
Answer: Maybe not, The Missing Lady is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 60 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1946, The Missing Lady emerges as a significant entry in the Science Fiction, Crime, Drama, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of While investigating the theft of a valuable jade statue known as "The Missing Lady" -- and the subsequent murder of an art dealer -- imperceptible sleuth Lamont Cranston aka the Shadow (Kane Richmond) finds himself being blamed for the crime. Unlike standard genre fare, The Missing Lady attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Science Fiction is often anchored by its ensemble, and The Missing Lady features a noteworthy lineup led by Kane Richmond . Supported by the likes of Barbara Read and George Chandler , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Missing Lady (1946) is negative. With an audience rating of 4.6/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Missing Lady is a Science Fiction, Crime, Drama, Mystery film that explores futuristic concepts and technological possibilities while examining humanity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Missing Lady attempts to tie together its various plot elements. The finale presents its approach to science fiction resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The Missing Lady reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Missing Lady incorporates elements from real criminal cases. As a science fiction, crime, drama, mystery film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Missing Lady adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
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ScreenPix Apple TV Channel
ScreenPix Amazon Channel Analyzing the audience sentiment, IMDb rating of 4.6/10, and global collection metrics, The Missing Lady stands as a challenging project for the creators. It remains an essential piece of the 1946 cinematic year.
The Missing Lady is considered a flop based on audience ratings of 4.6/10 and lower collections.
Based on the low rating of 4.6/10, The Missing Lady may not be worth watching unless you are a die-hard fan.
The Missing Lady is currently available for streaming on ScreenPix Apple TV Channel. You can also check for it on platforms like ScreenPix Apple TV Channel, ScreenPix Amazon Channel depending on your region.
So Kane Richmond takes top billing as the "Shadow/Cranston" but it's really "Miss Effie" (Almira Sessions) and "Miss Millie" (Nora Cecil) who steal the scenes as the busy-body lift operators who shimmy around in perfectly symmetrical attire running one of those counter-weight elevators that has a mind of it's own as they entrap their "passengers" whilst they accrue all the gossip. The rest of the plot is all centred on rather a silly misunderstanding between our sleuth and police inspector "Cardona" (James Flavin). You see, the eponymous character is not actually a person, but a foot-high jade statue worth a cool $250,000 - and it's been pinched. The policeman thinks it's a person but "Cranston" knows it's not - and that's the premiss of the hour as they both try to track it/her down whilst the body count mounts up. There's plenty of fisticuffs, trashed furniture and a few wise cracks along the way to an ending that's probably about as convoluted as they come. It's all production-line stuff this with little to remember, but I did think there was just a soupçon of charisma on display here from Barbara Read's "Margo" and the dynamic between the investigator, the inspector and is boss, the "Commissioner" (Pierre Watkin) does raise a smile now and again.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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