Is The Ones Below Worth Watching?
Answer: Yes, The Ones Below is definitely worth watching if you enjoy Thriller movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.

Verdict:The Ones Below is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Thriller genre.
Answer: Yes, The Ones Below is definitely worth watching if you enjoy Thriller movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2016, The Ones Below emerges as a significant entry in the Thriller domain. The narrative core of the film focuses on a sophisticated exploration of A young affluent couple expecting their first child hits it off with the new couple that moves in downstairs, until a dinner party between them ends in a shocking accident. Unlike standard genre fare, The Ones Below attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Thriller is often anchored by its ensemble, and The Ones Below features a noteworthy lineup led by Stephen Campbell Moore . Supported by the likes of Clémence Poésy and David Morrissey , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Ones Below (2016) is mixed. With an audience rating of 6.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Ones Below is a Thriller film that builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Ones Below concludes its story with a mix of closure and open interpretation. The finale presents its approach to thriller resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The Ones Below reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $121.8K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |










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FlixFlingAnalyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, The Ones Below stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
The Ones Below has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
The Ones Below is a mixed bag. It might be worth watching if you're a fan of Thriller movies, but read reviews first.
The Ones Below is currently available for streaming on Cinemax Amazon Channel. You can also check for it on platforms like Cinemax Amazon Channel, Cinemax Apple TV Channel depending on your region.
This might have worked a little better had there been just a little more effort put into the characterisations. As it is, it's all a rather predictable drama that sees two couples living above each other in apartments in a converted house. Both are expecting a child, but when an accident robs one couple of that joyous event, rancour looms and the story takes a much darker turn as an unconvincing truce breaks out with a pretty obvious agenda. The story itself is all rather weakly delivered as the relationship between Clémence Poésy and Stephen Campbell Moore and their downstairs neighbours Laura Birn and the sparingly featured David Morrissey plays out in a none-too-plausible, indeed actually quite flawed, fashion. I think it might work better with the added intensity of a stage performance, but here it's a film that leaves too much to our own imagination to fill in the plentiful gaps in the underwhelming screenplay. It's just a bit too lightweight for the topic, sorry.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.