Is The Outrage Worth Watching?
Answer: Yes, The Outrage is definitely worth watching if you enjoy Drama movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The Outrage is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Drama, Crime, Western genre.
Answer: Yes, The Outrage is definitely worth watching if you enjoy Drama movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1964, The Outrage emerges as a significant entry in the Drama, Crime, Western domain. The narrative core of the film focuses on a sophisticated exploration of At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. Unlike standard genre fare, The Outrage attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and The Outrage features a noteworthy lineup led by Paul Newman . Supported by the likes of Laurence Harvey and Claire Bloom , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Outrage (1964) is mixed. With an audience rating of 6.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Outrage is a Drama, Crime, Western film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Outrage concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of The Outrage reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Outrage incorporates elements from real criminal cases. As a drama, crime, western film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Outrage adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:









Analyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, The Outrage stands as a challenging project for the creators. It remains an essential piece of the 1964 cinematic year.
The Outrage has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
The Outrage is a mixed bag. It might be worth watching if you're a fan of Drama, Crime, Western movies, but read reviews first.
The Outrage may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Enigmatic remake making waves in some cinephiles quarters. Directed by Martin Ritt, The Outrage is a remake of the 1950 Akira Kurosawa film Rashomon, that in turn is based on stories by Ryūnosuke Akutagawa, but Ritt has reformulated it in a Western setting. It stars Edward G. Robinson, Paul Newman, Laurence Harvey, Claire Bloom, Howard Da Silva & William Shatner. The story remains the same as four people give contradictory accounts of a rape and murder during the trial of Mexican bandit Juan Carrasco (Newman). The story is told within a flashback framework of three men waiting for a train at a rain soaked Southwestern station; a prospector (Da Silva), a con man (Robinson) and a preacher now struggling with his faith in humanity (Shatner). As each story is told the validity of each account comes under scrutiny, could it be there was a gross miscarriage of justice at the trial? Perhaps unsurprisingly, this remake of a well regarded classic was a commercial flop, with many front line critics particularly savage in their reviews. Which while acknowledging it's a long way away from style and tone of Kurosawa's movie, it's hardly the devil's spawn either. Solidly constructed by Ritt and potently shot in black & white by James Wong Howe (vistas however are in short supply), the story is strong enough to make for an interesting social conscious Oater. There's some misplaced humour in the final third, and a charge of overacting from the talented cast is fair enough (especially Bloom), but maybe, just maybe, Ritt and his team deserve a little leeway for trying a different approach? I mean at least it's not a shot for shot remake eh? Certainly Newman could never be accused of not being bold or daring with his role selections, one only has to look at his Western films to see that. Especially the three he did with Ritt: Hud (1963), The Outrage (1964) & Hombre (1967), three very different roles, and each of a different ethnicity too. Throw in his intense turn as Billy The Kid in Arthur Penn's The Left Handed Gun, and it makes a mockery of those people who pop up from time to time proclaiming Newman had limited range! Is he miscast as Bandido Carrasco in The Outrage? No not really, he throws himself into the role and without prior knowledge of whose under the hat, it's not overtly evident it's the great blue eyed man performing. Sure a Mexican actor would have been better for the role, and definitely Rashomon wasn't in need of a remake. But for Western fans, and especially for fans of Newman, The Outrage still has enough to warrant spending money on a pie and a pint of beer to watch with it. Not particularly great, but not exactly bad either. 6.5/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.