Performance & Direction: The Penthouse Review
Last updated: January 29, 2026
Quick Verdict: Hit or Flop?
Is The Penthouse (1967) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Thriller.
Cast Performances: A Masterclass
The success of any Thriller is often anchored by its ensemble, and The Penthouse features a noteworthy lineup led by Suzy Kendall . Supported by the likes of Terence Morgan and Tony Beckley , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Penthouse
Quick Plot Summary: The Penthouse is a Thriller, Drama film that builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: The Penthouse
Ending Breakdown: The Penthouse attempts to tie together its various plot elements. The finale presents its approach to thriller resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the thriller themes established throughout the runtime.
The final moments of The Penthouse reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Penthouse?
Consider Watching If:
- You're a completist for Thriller films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: The Penthouse
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The Penthouse Parents Guide & Age Rating
1967 AdvisoryWondering about The Penthouse age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Penthouse is 96 minutes (1h 36m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.6/10, and global performance metrics, The Penthouse is classified as a ABOVE AVERAGE. It remains an essential part of the 1967 cinematic calendar.
Frequently Asked Questions
Is The Penthouse worth watching?
The Penthouse is definitely worth watching if you enjoy Thriller movies. It has a verified rating of 5.6/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find The Penthouse parents guide and age rating?
The official parents guide for The Penthouse identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Penthouse?
The total duration of The Penthouse is 96 minutes, which is approximately 1h 36m long.
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How The Penthouse Compares & Where it Ranks
Critic Reviews for The Penthouse
Penthouse Pandemonium. The Penthouse is written and directed by Peter Collinson and is an adaptation from the play The Meter Man by Scott Forbes. It stars Suzy Kendall, Terence Morgan, Tony Beckley, Norman Rodway and Martine Beswick. Music is by John Hawksworth and cinematography by Arthur Lavis. Alligators and Sharks Home invasion 1960s style. Story finds Kendall and Morgan as illicit lovers tormented by two deranged intruders in the penthouse apartment they use for their nights of passion. It's a five person play, well for the majority it's a four person production, and it's 99% set in a dimly lighted apartment. Narrative subjects our two hapless lovers to an hour and half of mental cruelty and sexual humiliation. The two main perpetrators, Tom (Beckley) and Dick (Rodway), are fascinating nutters, they are childlike in a chilling way, yet always they exude a sense of intelligence. They feed off of each other like some double-take twins, and always they have handy a deep meaning monologue or a philosophical justification for the black heart of the human being. Collinson does a grand job of keeping things claustrophobic, making sure the emotional discord and sense of menace haunts every frame. The camera zooms in and out of focus, something which proves to be a masterstroke for the sex scenes, while the various angles that the camera looks through during the course are suitably nightmarish. Originally Collinson was at pains to say his movie didn't have a message, but over the years the only thing consistent was his inconsistent viewpoint on the film. It's nigh on impossible not to seek out a message here, the film is just too odd-ball and unsavoury to not court a deeper meaning than the lazy "it's just a thriller" statement that Collinson trundled out upon pic's release. Pretentious? Absolutely, but this film has the ability to get under your skin, either in a good way to make you ponder, or to utterly irritate you. If someone said to me it's the worst film they have ever sat through, I would understand. Yet for me I felt challenged and uncomfortable, that's the medium of film doing a good job as far as I'm concerned. 7/10
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.








