Is The Proposition Worth Watching?
Answer: Yes, The Proposition is definitely worth watching if you enjoy Action movies.
It features a runtime of 104 minutes and offers a solid storyline that appeals to mature audiences.

Verdict:The Proposition is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.0/10, it has delivered a compelling experience for fans of the Action, Adventure, Crime, Drama, Thriller, Western genre.
Answer: Yes, The Proposition is definitely worth watching if you enjoy Action movies.
It features a runtime of 104 minutes and offers a solid storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2005, The Proposition emerges as a significant entry in the Action, Adventure, Crime, Drama, Thriller, Western domain. The narrative core of the film focuses on a sophisticated exploration of In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. Unlike standard genre fare, The Proposition attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Action is often anchored by its ensemble, and The Proposition features a noteworthy lineup led by Guy Pearce . Supported by the likes of Ray Winstone and Danny Huston , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Proposition (2005) is overwhelmingly positive. With an audience rating of 7.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Proposition is a Action, Adventure, Crime, Drama, Thriller, Western film that delivers high-octane sequences and adrenaline-pumping confrontations that keep viewers on the edge of their seats. This summary provides a scannable look at the movie's central conflict and narrative structure.
The narrative structure follows a classic action blueprint: establish the protagonist's world, introduce a formidable antagonist, and escalate the stakes through increasingly intense confrontations. In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. In order to save his younger brother from the gallows, Charlie must hunt down and kill his older brother, who is wanted for rape and murder. Venturing into one of the Outback's most inhospitable regions, Charlie faces a terrible moral dilemma that can end only in violence. The film balances spectacular set pieces with character moments, ensuring the action serves the story rather than overwhelming it.
Ending Breakdown: The Proposition resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to action resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The Proposition reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Proposition incorporates elements from real criminal cases. As a action, adventure, crime, drama, thriller, western film, it navigates the space between factual accuracy and narrative engagement.
The film balances historical fidelity with cinematic storytelling. Core events maintain connection to source material while adapting for theatrical presentation.
The production demonstrates respect for its source material, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Proposition adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $2.0M |
| Worldwide Gross | $5.0M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for The Proposition is $2.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









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Apple TVAnalyzing the audience sentiment, IMDb rating of 7/10, and global collection metrics, The Proposition stands as a successful venture for the creators. It remains an essential piece of the 2005 cinematic year.
The Proposition is considered a hit based on audience response and box office performance. With a rating of 7/10, it's highly recommended for fans of Action, Adventure, Crime movies.
Yes, The Proposition is definitely worth watching! It's a must-watch hit for fans of Action, Adventure, Crime cinema.
The Proposition is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, fuboTV, Amazon Prime Video with Ads depending on your region.
Well, no matter how I rate this movie a lot of people are going to say that my rating is wrong. That is something that you probably can say about any rating for any movie. I feel it is especially true as far as this movie goes though. As you can see from my rating I was not exactly thrilled by the movie. That does not mean that it is a bad movie. Again, this you can say about a lot of ratings, especially my ratings. Okay, I guess I have confused everyone enough now so let me try to explain. As a piece of cinematic art this movie is excellent. The acting is quite good. I especially liked John Hurt as the literate bounty hunter but most of the main characters where performing admirably. The scenery is wonderful. The Australian outback makes for a excellent backdrop and it is indeed a nice change from the classical North American western sceneries. As a movie it falls flat though. In my opinion a movie should at least try to tell a story. Even if it aspires to be a piece of art it should try and tell a story that the audience can, in one way or another, follow. This movie have a basic idea of a story but it does not really tell a story. We never get to know who the bad guys really are, what they really did, except for a bunch of hints about killing and rape, or why. Heck, we never actually get to know of the guy the flogged to death where really taking part in the deed or not. Throughout the movie the bad guys are supposedly hiding in some place where it is impossible to get them so the main character tries to get the bad guys brother to kill him. Not very plausible at all. The governor, Eden Fletcher played by David Wenham, or whatever he as supposed to be was pretty much an asshole. Okay every movie has to have one but his role was never really developed. Once he managed to get the young kid, innocent or not, flogged we really do not see much of him for the rest of the movie. The end of the movie is much the same as the rest of the movie. Cinematically excellent but not much of a story. There is no real conclusion. It just ends in a sequence of well done scenes but without any real story behind it. Maybe I’m a too simple mind when it comes to these kind of movies but I, even though I appreciated the graphics that was shown on my TV-screen, I did not really enjoy it as a movie.
Australia. A man looking to catch a criminal by the name of Arthur Burns (the head of the Burns Gang). He catches his brothers instead, and offers the elder brother (Guy Pearce) a deal. A proposition. Bring him Arthur Burns, the man who raped and killed Eliza Hopkins. And to make sure that Charlie will honor the deal, he keeps the youngest brother, Mikey. The stage is set early on in the movie, and yet, this is more than just a simple story about a gang of criminals and the law enforcers who are chasing them down, this is a story about a country being created, about the fight for survival in a strange land. About justice and peace of mind. Nick Cave wrote the screenplay, and also most of the music. This gives us a hint that it is not going to be your average movie, but something... more, something different. We can also expect the sound to be spectacular and forceful, and indeed, it is. The music here very much reminded me of the music in There Will Be Blood by Paul Thomas Anderson, extraordinary and... haunting really. But it doesn't stop at the music, the visual side of the movie is rather stunning in a haunting way as well, dirty and dusty all the way through. I love when a movie has a distinct visual style and rhythm, and this one does. The movie starts out with a bang, as the law enforcers hunt down the two younger brothers, Charlie and Mikey, but as soon as Charlie is given the proposition, it slows down considerably and branches out to tell two stories, that of Charlie hunting down his brother, but also that of Captain Stanley and his wife, two opposing forces. This guy clearly has demons of his own, and is looking for justice to be served. I love the pace in this movie, it wants to tell its story just right. The cast is a great one, as mentioned Guy Pearce plays one of the Burns brothers, together with Danny Huston. These guys are dirty and bend on doing whatever it takes to survive. Captain Stanley is played by the amazing Ray Winstone. He plays the role with a quietness and a subtlety that surprised me. He is the hero of the story, at least for me, and wants only justice to be served. In other parts we see David Wenham and John Hurt, both delivering quirky and interesting characters. A great movie needs a great cast, and this one most certainly have that. _Last words... this movie does not compromise. It is honest, it is dark and it forces you to think about right and wrong. How does one identify a criminal and what forces people to do evil deeds? Nothing is simple really, and it shouldn't be. Most people have both light and darkness within them, and that is the case in this movie._
**_Heart of Darkness in Australia_** Captain Stanley (Ray Winstone) is the new lawman of the territory and he's determined to civilize the brutal wasteland. A band of outlaws comprised of three brothers and a few others stand in his way. Yet two of the brothers want out after their sibling leader commits a crime in one of his raids. The two are apprehended by Capt. Stanley, who offers a proposition to the older of the two (Guy Pearce): Find and assassinate the leader and both will go free. "The Proposition" (2005) is a Western that takes place in Australia, yet it's far from a typical Western. The filmmaking, cinematography, actors, locations, soundtrack and editing are top-of-the-line with a surreal, haunting edge. As my title blurb suggests, there are similarities to "Heart of Darkness" and the original "Apocalypse Now," although it fails to achieve the greatness of the latter. The story plays out in a realistic manner with long stretches of drama and bleak landscapes interspersed with flashes of extreme violence. Ray Winstone and Guy Pearce are great as the two main protagonists. Capt. Stanley understandably wants to rid the land of the brute outlaws, whereas Charlie seeks redemption for himself and his little brother. Danny Huston is captivating as the focal point and villain, Arthur Burns. Yet he's not a villain in the cliched sense and he's not one-dimensional. He loves the beauty of God's creation, he loves the art of language and he's a mystic of sorts, but he clearly crossed the line at some point in his outlaw endeavors and now must be wiped off the face of the planet. Will Charlie do it? My only criticism is that the film seems too short at 1 hour, 44 minutes. It needed more time for details and character development. As it is, we sort of have to guess the details, which isn't necessarily a bad thing. I just wish the film would have gone the route of "Apocalypse Now" and given us more definition and development. At the end of the day, this is one of those films that gets better with repeat viewings, as long as you like the approach of films like "Apocalypse Now," just way shorter (too short). I would love to see a Director's Cut that adds about 20-45 minutes. It was shot in Winton, Queensland, which is in the northeast Outback of Australia. GRADE: B+
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.