Is The Raid Worth Watching?
Answer: Yes, The Raid is definitely worth watching if you enjoy Action movies.
It features a runtime of 101 minutes and offers a solid storyline that appeals to mature audiences.

Verdict:The Raid is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.4/10, it has delivered a compelling experience for fans of the Action, Thriller, Crime genre.
Answer: Yes, The Raid is definitely worth watching if you enjoy Action movies.
It features a runtime of 101 minutes and offers a solid storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2012, The Raid emerges as a significant entry in the Action, Thriller, Crime domain. The narrative core of the film focuses on a sophisticated exploration of Deep in the heart of Jakarta's slums lies an impenetrable safe house for the world's most dangerous killers and gangsters. Unlike standard genre fare, The Raid attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Action is often anchored by its ensemble, and The Raid features a noteworthy lineup led by Iko Uwais . Supported by the likes of Joe Taslim and Donny Alamsyah , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Raid (2012) is overwhelmingly positive. With an audience rating of 7.4/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: The Raid is a Action, Thriller, Crime film that delivers high-octane sequences and adrenaline-pumping confrontations that keep viewers on the edge of their seats. This summary provides a scannable look at the movie's central conflict and narrative structure.
The narrative structure follows a classic action blueprint: establish the protagonist's world, introduce a formidable antagonist, and escalate the stakes through increasingly intense confrontations. Deep in the heart of Jakarta's slums lies an impenetrable safe house for the world's most dangerous killers and gangsters. Until now, the run-down apartment block has been considered untouchable to even the bravest of police. Cloaked under the cover of pre-dawn darkness and silence, an elite swat team is tasked with raiding the safe house in order to take down the notorious drug lord that runs it. But when a chance encounter with a spotter blows their cover and news of their assault reaches the drug lord, the building's lights are cut and all the exits blocked. Stranded on the sixth floor with no way out, the unit must fight their way through the city's worst to survive their mission. Starring Indonesian martial arts sensation Iko Uwais. The film balances spectacular set pieces with character moments, ensuring the action serves the story rather than overwhelming it.
Beyond the spectacle, the film explores themes of justice, redemption, and the cost of violence. It questions whether the ends justify the means and examines the personal toll of heroism.
Ending Breakdown: The Raid resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to action resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The Raid reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Raid incorporates elements from real criminal cases. As a action, thriller, crime film, it navigates the space between factual accuracy and narrative engagement.
The film balances historical fidelity with cinematic storytelling. Core events maintain connection to source material while adapting for theatrical presentation.
The production demonstrates respect for its source material, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Raid adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $1.1M |
| Worldwide Gross | $9.1M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for The Raid is $1.1M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









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YouTubeAnalyzing the audience sentiment, IMDb rating of 7.4/10, and global collection metrics, The Raid stands as a successful venture for the creators. It remains an essential piece of the 2012 cinematic year.
The Raid is considered a hit based on audience response and box office performance. With a rating of 7.4/10, it's highly recommended for fans of Action, Thriller, Crime movies.
Yes, The Raid is definitely worth watching! It's a must-watch hit for fans of Action, Thriller, Crime cinema.
The Raid is currently available for streaming on Lionsgate Play. You can also check for it on platforms like Lionsgate Play, Lionsgate Play Apple TV Channel, Lionsgate Play Amazon Channel depending on your region.
Oh, good, the plot, the dialogues and the performances of the characters are plainly terrible. Other than that, if you are looking for an action movie with tons of "dancing" fights, this is your movie.
Despite being an early entry, _The Raid_ is arguably the most revolutionary action movie of the past decade. And the decade is almost over. Iko Uwais is clear talent when it comes to this sort of stunt work, and with the exception of a little too much shakey-cam near the start, you get a really look at him (and the rest of the cast) doing their thing, a lesson which the majority of Hollywood action movies nowadays apparently needs to re-learn. _Final rating:★★★★ - Very strong appeal. A personal favourite._
In the centre of Jakarta, a criminal fraternity pretty much own a residential block where they carry on with impunity. “Tama” (Ray Sahetapy) is the kingpin who pretty much does as he pleases and has a small army at his back when the police arrive to close him down. This is an heavily armed SWAT team but what soon becomes evident is that they are outnumbered and outgunned and that their boss has engaged in this perilous operation without advising his bosses - so there will be no reinforcements, or better still, a few missiles fired into the place from a well placed helicopter. The building is riddled with CCTV so the police movements are easily monitored and quite swiftly “Lt. Wahyu” (Pierre Gruno) is down to a mere handful of folk as they try to ascend to the seventh floor. Fortunately, one of them is “Rama” (Iko Uwais) who is no slouch when it comes to martial arts and with some assistance from an unexpected source, battle lines are drawn. The dark and dingy building provides a good venue for their graphically violent activity and though it is definitely repetitive, especially later when it seems determined never to end, the sheer gymnastic athleticism here is impressive. It’s a vehicle for the charismatic Uwais to show just how nimble he can be against machine guns, pistols, machetes and fridges and packs plenty in. The story plays out predictably and at times really does suffer from a ridiculous degree of an immortality syndrome with characters surviving the most impossible of physical injuries to keep on breathing, let alone fighting - but this isn’t meant to be reality, it’s a showcase of athletes that has a video game mentality and rarely stops for breath.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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