Performance & Direction: The Skull Review
Last updated: January 21, 2026
Quick Verdict: Hit or Flop?
Is The Skull (1965) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 6.0/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Horror.
Cast Performances: A Masterclass
The success of any Horror is often anchored by its ensemble, and The Skull features a noteworthy lineup led by Peter Cushing . Supported by the likes of Christopher Lee and Patrick Wymark , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of The Skull (1965) is mixed. With an audience rating of 6.0/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: The Skull
Quick Plot Summary: The Skull is a Horror, Thriller film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: The Skull
Ending Breakdown: The Skull concludes its story with a mix of closure and open interpretation. The finale presents its approach to horror resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the horror themes established throughout the runtime.
The final moments of The Skull reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Skull?
Worth Watching If You:
- Enjoy Horror films and don't mind familiar tropes
- Are a fan of the cast or director
- Want a few scares and creepy atmosphere
Top Cast: The Skull
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Where to Watch The Skull Online?
Streaming Hub🎟️ Rent on
Amazon VideoThe Skull Parents Guide & Age Rating
1965 AdvisoryWondering about The Skull age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Skull is 83 minutes (1h 23m). Ensuring you have enough time for the full cinematic experience.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, The Skull stands as a challenging project for the creators. It remains an essential piece of the 1965 cinematic year.
Frequently Asked Questions
Is The Skull worth watching?
The Skull is definitely worth watching if you enjoy Horror movies. It has a verified rating of 6/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find The Skull parents guide and age rating?
The official parents guide for The Skull identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Skull?
The total duration of The Skull is 83 minutes, which is approximately 1h 23m long.
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How The Skull Compares & Where it Ranks
Critic Reviews for The Skull
**_Features Peter Cushing & Christopher Lee, but way too much filler_** A researcher of the occult and esoterica (Peter Cushing) apprehends the skull of the nefarious Marquis de Sade and learns that something evil is attached to it, which negatively influences its owners. Patrick Wymark plays his source for artifacts while Christopher Lee plays a rival collector. Patrick Magee is on hand as an inspector. “The Skull” (1965) is worth checking out for fans of British horror featuring Cushing and/or Lee, but it places with the least of their works. There’s just way too much filler. The runtime could’ve been cut in half and it would’ve been a compelling mini-movie. As it is, it’s just too drawn out for the material to maintain interest. However, the theme is interesting: Can articles have evil spirits attached to them? During the days of the early Church, articles that Paul touched, like handkerchiefs and aprons, “were taken to the sick, and their illnesses were cured and the evil spirits left them” (Acts 19:11-12). It was the same thing with Peter’s shadow. These things had the anointing of God on them and thus physically or mentally ill people exposed to them were healed and demons fled! A good example from the Old Testament would be Elisha’s bones noted in 2 Kings 13. These various items were blessed as conduits of God’s power. Could the inverse also be true? Could certain items be cursed with a demonic non-anointing? If the former is true with the kingdom of light, isn’t it possible that the reverse is also true with the kingdom of darkness in some cases, particular items like idols? The movie runs 1 hour, 23 minutes and was shot at Shepperton Studios, Shepperton, Surrey, England; as well as Great Cumberland Place, Marylebone, London (Maitland's home). GRADE: C-
When Christopher Lee tells you to leave well alone, well you should - even if you are Peter Cushing! The latter is "Maitland" who is offered a gruesome artefact by his rather dubious supplier "Marco" (Patrick Wymark) and when he mentions it to his collecting rival "Sir Matthew" (Lee) he is told that this was recently pinched from him and well, he decides to ignore the advice. It doesn't take him very long before he rues that decision. This skull belongs to the Marquis de Sade and his spirit is looking to continue to cause as much mischief as he can! To those ends, it can take over the minds of those close to it and manipulate their behaviour to do his will. Can the sceptical "Maitland" do what generations of his forebears have failed to do and thwart this malevolent force? This is one of my favourite Hammer horrors with plenty of accumulating menace; some clever photography - often from the skull's POV, it's hauntingly scored and the denouement isn't what I ever remember to expect after a fun eighty minutes of pure cinematic evil. It spares us the usual ketchup gimmickry and uses a little more psychology to fo the scaring, and I think it works quite well.
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This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









