Is The Slave Worth Watching?
Answer: Maybe not, The Slave is likely a skip if you enjoy Adventure movies.
It features a runtime of 100 minutes and offers a standard storyline that appeals to general audiences.

Verdict:The Slave is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.7/10, it has delivered a mixed experience for fans of the Adventure, Drama, History genre.
Answer: Maybe not, The Slave is likely a skip if you enjoy Adventure movies.
It features a runtime of 100 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1962, The Slave emerges as a significant entry in the Adventure, Drama, History domain. The narrative core of the film focuses on a sophisticated exploration of The decurion Randus holds himself so well in the command of his troops, that Caesar promotes him to centurion. Unlike standard genre fare, The Slave attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Adventure is often anchored by its ensemble, and The Slave features a noteworthy lineup led by Steve Reeves . Supported by the likes of Jacques Sernas and Gianna Maria Canale , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Slave (1962) is mixed. With an audience rating of 5.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Slave is a Adventure, Drama, History film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Slave attempts to tie together its various plot elements. The finale presents its approach to adventure resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of The Slave reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Slave draws heavily from documented historical records. As a adventure, drama, history film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, with attention to period detail and historical context.
Accuracy Assessment: The Slave adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:









Amazon Video
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.7/10, and global collection metrics, The Slave stands as a challenging project for the creators. It remains an essential piece of the 1962 cinematic year.
The Slave has received mixed reviews with a 5.7/10 rating, making it a moderate success with the audience.
The Slave is a mixed bag. It might be worth watching if you're a fan of Adventure, Drama, History movies, but read reviews first.
The Slave may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Steve Reeves is at his muscle-bound best in this slightly too long and episodic story of that little baby that left his father nailed to cross a couple of decades earlier. He is unaware of his provenance and has been brought up as a Roman to be a valued aide to Julius Caesar (Ivo Garrani). With that man’s own mentor Crassus (Claudio Gora) causing some consternation with his behaviour in the East, “Randus” (Reeves) is duly despatched as a sort of legate-cum-spy. His journey is fraught with danger and it’s only after he manages to free himself from some slave traders, he makes it to his destination. Initially, if sceptically, welcomed at the court of Crassus, he soon gets wind not just of a plot by this man to take control of the empire, but also that he may not be quite who thinks he is, either! It’s this latter suspicion that gradually alerts him to the fact that he is a natural born rebel, and so is soon leading something of a double identity whilst trying to remain loyal to his original mission. As things become more perilous, he comes to rely on some unlikely allies to stay one step ahead of his wily foe. The production here is really quite impressive with plenty of attention paid to the costumes and settings. I could have done with a little more action, but what there is delivers entertainingly and despite his terribly wooden effort, both Gora and Gianna Maria Canale as his duplicitous wife “Claudia” make for quite a decent pair of baddies. The editing isn’t great, but otherwise this flows along well and I quite enjoyed it.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.