Is The Square Worth Watching?
Answer: Yes, The Square is definitely worth watching if you enjoy Drama movies.
It features a runtime of 151 minutes and offers a standard storyline that appeals to general audiences.

Verdict:The Square is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.8/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, The Square is definitely worth watching if you enjoy Drama movies.
It features a runtime of 151 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2017, The Square emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit. Unlike standard genre fare, The Square attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and The Square features a noteworthy lineup led by Claes Bang . Supported by the likes of Elisabeth Moss and Dominic West , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Square (2017) is mixed. With an audience rating of 6.8/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Square is a Drama film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: The Square concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of The Square reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $9.5M |
| Trade Verdict | CLEAN HIT |






Amazon Prime Video
Hulu
Philo
Amazon Prime Video with Ads
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home
FlixFling
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home
FlixFlingAnalyzing the audience sentiment, IMDb rating of 6.8/10, and global collection metrics, The Square stands as a successful venture for the creators. It remains an essential piece of the 2017 cinematic year.
The Square has received mixed reviews with a 6.8/10 rating, making it a moderate success with the audience.
The Square is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
The Square is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, Hulu, Philo, Amazon Prime Video with Ads depending on your region.
I'm not a great fan of dramas, but this was an entertaining film. I gave this 4 stars just for the ape scene.
I maybe just wasn't in the right mood for this, but after about half an hour I really didn't much care what happened to "Christian" (Claes Bang), or pretty much anyone else. He runs one of those galleries that puts a glass of water on a dusty shelf and calls it art. You know, emperor's new clothes kind of stuff. His latest "exhibition" is designed to remind the public of their responsibilities to each other but his focus is diverted when he is the victim of a pickpocket. No phone. No wallet. He devises an unique way to get them back by putting a note through all of his neighbours' letter boxes delivering an accusatory ultimatum. Curiously enough, that's not the only stupid idea he has as this rather plodding drama meanders it's way from one bad decision to another for 2½ hours. It reaches it's most bizarrely surreal when the entertainment - "Oleg" (Terry Notary) - at a very fancy fund-raising dinner goes quite spectacularly wrong, but there are plenty other daft scenarios as he tries to sort out a marketing campaign, manage a curiously sterile relationship with "Anne" (a dreadfully wooden Elizabeth Moss) and deal with an increasingly exasperating kid (Elijandro Edouard) who seems to think his own family think he nicked the stuff! To be fair to Bang, he does manage to imbue quite a decent degree of insufferable arrogance as his pompous character finds all of his comfort blankets taken away and himself exposed to a society that couldn't care less, indeed is even openly critical, of his obvious double standards. I did like the premiss, but auteur Ruben Östlund indulges himself too completely for me, and I was frankly bored by the end. Maybe a tightening edit could help refocus the humour and the moral of the story? Sorry - not for me.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.