Is The Web Worth Watching?
Answer: Yes, The Web is definitely worth watching if you enjoy Crime movies.
It features a runtime of 87 minutes and offers a solid storyline that appeals to mature audiences.

Verdict:The Web is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.0/10, it has delivered a compelling experience for fans of the Crime, Drama, Thriller genre.
Answer: Yes, The Web is definitely worth watching if you enjoy Crime movies.
It features a runtime of 87 minutes and offers a solid storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1947, The Web emerges as a significant entry in the Crime, Drama, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head. Unlike standard genre fare, The Web attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and The Web features a noteworthy lineup led by Ella Raines . Supported by the likes of Edmond O'Brien and William Bendix , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Web (1947) is overwhelmingly positive. With an audience rating of 7.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Web is a Crime, Drama, Thriller film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Web resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of The Web reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
The Web incorporates elements from real criminal cases. As a crime, drama, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film balances historical fidelity with cinematic storytelling. Core events maintain connection to source material while adapting for theatrical presentation.
The production demonstrates respect for its source material, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Web adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:










Analyzing the audience sentiment, IMDb rating of 7/10, and global collection metrics, The Web stands as a successful venture for the creators. It remains an essential piece of the 1947 cinematic year.
The Web is considered a hit based on audience response and box office performance. With a rating of 7/10, it's highly recommended for fans of Crime, Drama, Thriller movies.
Yes, The Web is definitely worth watching! It's a must-watch hit for fans of Crime, Drama, Thriller cinema.
The Web may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
I'm a lawyer not a bodyguard. The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg. A good and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate. The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades). Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.