Is The Wedding Banquet Worth Watching?
Answer: Yes, The Wedding Banquet is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 103 minutes and offers a solid storyline that appeals to general audiences.

Verdict:The Wedding Banquet is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.0/10, it has delivered a compelling experience for fans of the Comedy, Romance, Drama genre.
Answer: Yes, The Wedding Banquet is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 103 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2025, The Wedding Banquet emerges as a significant entry in the Comedy, Romance, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Frustrated with his commitment-phobic boyfriend Chris and running out of time, Min makes a proposal: a green-card marriage with their friend Angela in exchange for her partner Lee's expensive IVF. Unlike standard genre fare, The Wedding Banquet attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and The Wedding Banquet features a noteworthy lineup led by Bowen Yang . Supported by the likes of Lily Gladstone and Kelly Marie Tran , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of The Wedding Banquet (2025) is overwhelmingly positive. With an audience rating of 7.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: The Wedding Banquet is a Comedy, Romance, Drama film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Wedding Banquet resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to comedy resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of The Wedding Banquet reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $5.0M |
| Worldwide Gross | $2.1M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for The Wedding Banquet is $5.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.








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Apple TVAnalyzing the audience sentiment, IMDb rating of 7/10, and global collection metrics, The Wedding Banquet stands as a successful venture for the creators. It remains an essential piece of the 2025 cinematic year.
The Wedding Banquet is considered a hit based on audience response and box office performance. With a rating of 7/10, it's highly recommended for fans of Comedy, Romance, Drama movies.
Yes, The Wedding Banquet is definitely worth watching! It's a must-watch hit for fans of Comedy, Romance, Drama cinema.
The Wedding Banquet is currently available for streaming on JioHotstar. You can also check for it on platforms like JioHotstar depending on your region.
“To thine own self be true” is more than just an oft-used platitude. It’s also good advice, given that concocting and pulling off a scheme rooted in artifice is virtually assured to fail. Such is the case when a long-term gay male couple, Chris and Min (Bowen Yang, Han Gi-Chan, respectively), hatches what they believe to be an ingenious plan for carrying out a marriage of convenience involving their lesbian friends, Lee and Angela (Lily Gladstone, Kelly Marie Tran, respectively). In essence, Min, a South Korean national from a moneyed background whose US visa is about to expire, agrees to marry Angela so that he can qualify for a green card to stay stateside with Chris. In exchange, Min agrees to pay for the in vitro fertilization treatments that Lee is undergoing to enable her and Angela to have a child. It all sounds reasonable enough until Min’s stern grandmother (Youn Yuh-jung), the no-nonsense controller of the family purse strings, who’s thought to be unaware of her grandson’s sexual orientation, decides to visit Seattle to meet Min’s bride-to-be. But can the “couple” convince the aging matriarch that their upcoming betrothal is legitimate? Add to that additional complications involving Chris’s reluctance to commit to Min for the long term, Angela’s issues with her supportive but overbearing mother (Joan Chen) and questions about Lee’s ability to successfully become pregnant, and the situation becomes a hot mess, one that threatens the security of two couples and their collective and individual plans for the future (hence the wisdom behind being truthful to oneself). Writer-director Andrew Ahn’s latest feature, loosely based on filmmaker Ang Lee’s 1993 release of the same name, is a touching, heartfelt romantic comedy-drama examining the kinds of challenges that same-sex couples often face in their relationships. In light of that, I must admit I was quite surprised by what turned up in the finished product, for several reasons. To begin with, the trailer for this film is very misleading, making the picture look like a campy, screwball LGBTQ+ comedy. Far from it; to be sure, the picture is far more serious and substantive than the preview lets on. But that ultimately works to the film’s advantage, giving it an unexpected sense of depth that I definitely was not expecting. And that, in turn, helped to dispel the hesitation I had about wanting to screen this offering in the first place: To be honest, I was expecting to see a predictable, cliché-ridden story in the same vein as Ahn’s previous feature, “Fire Island” (2022), which I despised because of all of its trite gay stereotypes, something I was not looking forward to seeing again. I’ll freely admit that I was in error about that; thankfully, this film more closely resembles the artistic quality found in another of the director’s previous works, “Driveways” (2020). What helps this release succeed so well are the fine performances of its excellent ensemble cast, including a break-out portrayal for Yang, who exhibits a greater range here than he’s demonstrated in his previous roles, as well as the consistently solid turns by Chen, Yuh-jung and Gladstone. The film also employs humor in just the right amount, never becoming excessive nor falling prey to shopworn comedic devices, thanks to a capably penned script. “The Wedding Banquet” is truly a refreshingly unexpected treat, one of the better releases in the LGBTQ+ genre to have come out in some time. Indeed, this is one cinematic feast that’s well worth your time.
Remember the “Proposal” (2009)? Well this is a sort of derivative of that only here it is two gay couples who decide that a bit of judicious legerdemain might enable one to get a green card and another to fund some fertility treatment. You see, commitment-phobe “Chris” (Bowen Wang) has been with his wealthy Korean boyfriend “Min” (Han Gi-Chan) for years but won’t marry him. This irks his partner who also has pressures from his family at home who want to bring him home to work in the family business and marry a nice girl. Meantime, best pal “Lee” (Lily Gladstone) and girlfriend “Angela” (Kelly Marie Tran) are trying to conceive via IVF but are having no luck. It would appear that the solution to both of their problems might lie in a marriage of convenience. Far-fetched? Well the best bit is yet to come as grandma (Youn Yuh-jung) arrives from Seoul determined to find out just what is going on and to protect her grandson from what she clearly suspects is some money-grabbers. It takes her about two minutes to suss things out so now the couples have to pray that she will go along with their scheme, else everything will come crashing down. There are a few funny scenes here, but for the most part if you watch any amount of American gay cinema then you will have seen this all before. Wang offers us very little new here and the plot lurches just a bit too close to the preposterous for me as the underlying pretence of the theme goes from silly to sillier and the characterisations slip effortlessly into multifarious, sometimes quite cringeworthy, stereotypes. I do hope it takes a few quid at the box office, though, because Han Gi-chan could sure use a decent meal!
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.