MORE SPOILER-FREE REVIEW @ https://www.msbreviews.com/ "Thirteen Lives follows the usual formulas of works based on true events, but Ron Howard's honest, non-Hollywoodized direction allows him to efficiently tell one of the most remarkable survival stories of the last decade. The entire cast is extraordinary, but it's Viggo Mortensen and Colin Farrell who mainly guide the film through all the relevant, claustrophobic plot points in a somewhat heavy viewing runtime-wise. Interesting for viewers with little to no knowledge of what happened, but the question remains as to whether it adds anything truly significant to the documentary The Rescue about the same 18 days of suffering, anxiety, and uncertainty. Massive praise for the worthy amount of screentime of the Thai language." Rating: B-

What's possibly most remarkable about this real life tale of courage and ingenuity is that a pretty A-list cast don't really overwhelm the story. Their contributions are solid and fairly undramatic as they allow the chronology to develop and the suspense and pressure to accumulate. It's history - so we know what happens, but somehow that lack of jeopardy doesn't really matter as we follow the efforts of an international team trying to rescue the twelve boys and their coach who have found themselves stuck underground, a few kilometres from the entrance, after heavy monsoon rains struck and flooded the tunnels. Now, of course, the first question might have been for the coach - didn't he look at the weather forecast first? However, now marooned quickly in their dark and claustrophobic environment, Ron Howard takes his time to demonstrate to us all just how this most innovative and challenging of evacuations was planned and executed - none of it without considerable risk to everyone involved. We are drawn into the scenarios, and I felt that I had skin in this game - the story has a palpable immersion (no pun intended) for the viewer. The cast gel well without any stand-out contributions or wordy dialogue, which I think well illustrates the strenuous pressures put on these men, essentially volunteers, by themselves, the families, the authorities and the relentless rain. The subterranean photography works really well in generating a feeling of peril and I certainly shared in that sense of relief at the end... A cinema watch is better, if you can - somehow the big screen demonstrates the small, tight spaces, better!

Thirteen Lives is a deeply moving film that highlights the incredible true story of the 2018 Tham Luang cave rescue in Thailand. Directed by Ron Howard, the movie focuses on the global effort and teamwork that led to the miraculous rescue of a young soccer team and their coach. The performances by Viggo Mortensen, Colin Farrell, and Joel Edgerton are excellent, portraying the bravery and skill of the divers who risked everything to save the boys. The film is technically outstanding, with gripping underwater scenes and a realistic portrayal of the challenging conditions faced by the rescuers. Howard’s direction keeps the focus on the human element, showing the immense sacrifices and collaboration that made the rescue possible. However, I couldn’t help but feel like something was missing. The movie spends so much time on the rescuers’ perspective that it doesn’t dive deeply into the emotional experiences of the boys and their coach. This lack of focus on their side of the story left me feeling that a key part of the event’s impact was underexplored. Despite this, Thirteen Lives is still a powerful film that captures the resilience and determination of everyone involved in the rescue. It’s a testament to what humanity can achieve when people come together in the face of impossible odds. While it might not fully explore every emotional angle, it’s a well-made and inspiring story that’s worth watching.

I thought it was an excellent movie! After watching short bits of the live news and then this movie it was a great reminder. Good acting and story tracked well, great job! Really glad they didn't do it documentary style, I can't watch those.