Is Transatlantic Worth Watching?
Answer: Maybe not, Transatlantic is likely a skip if you enjoy Comedy movies.
It features a runtime of 78 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Transatlantic is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.5/10, it has delivered a mixed experience for fans of the Comedy, Drama, Thriller genre.
Answer: Maybe not, Transatlantic is likely a skip if you enjoy Comedy movies.
It features a runtime of 78 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1931, Transatlantic emerges as a significant entry in the Comedy, Drama, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of As a luxurious ocean liner makes its way across the Atlantic Ocean, the audience is made privy to the travails of several of its passengers. Unlike standard genre fare, Transatlantic attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Transatlantic features a noteworthy lineup led by Edmund Lowe . Supported by the likes of Lois Moran and John Halliday , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Transatlantic (1931) is mixed. With an audience rating of 5.5/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Transatlantic is a Comedy, Drama, Thriller film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Transatlantic attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Transatlantic reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:










Analyzing the audience sentiment, IMDb rating of 5.5/10, and global collection metrics, Transatlantic stands as a challenging project for the creators. It remains an essential piece of the 1931 cinematic year.
Transatlantic has received mixed reviews with a 5.5/10 rating, making it a moderate success with the audience.
Transatlantic is a mixed bag. It might be worth watching if you're a fan of Comedy, Drama, Thriller movies, but read reviews first.
Transatlantic may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Though this does go a bit off course from time time, a boat - like a train - does provide for quite a good stage for an engaging mystery peppered with loads of melodrama. "Greer" (Edmund Lowe) is the suave and debonaire gent who hopes to make an easy living on the cards and on the roulette wheels abroad this liner. He quickly becomes aware of a cunning wheeze by a gang of crooks to relieve wealthy tycoon "Graham" (John Halliday) of some of his wealth but declines to get involved. "Halliday" is not so happily married to "Kay" (Myrna Loy) and so keeps mistress "Sigrid" (Greta Nissen) in the style to which she wishes to remain accustomed. That brings us full circle because she and "Greer" have some history together. Things become distinctly choppier on board when news reaches all that the financier's bank has gone bust and that has devastating effects on poor old "Kramer" (Jean Hersholt) who is travelling with his daughter "Judy" (Lois Moran) and who is now completely broke. What now ensues is quite an entertaining marriage of the criminal, the comedic - especially the steward (Billy Bevan) with his shallow obsequiousness - and the lightly romantic. As the threads tie together these characters have to reconcile the bankruptcy and the infidelities - all before the ship docks and they can all go their merry ways. It's really more of an ensemble effort with a competent Lowe at the top of the bill holding together the conflicting themes and whilst I could maybe have done with a little more of Loy, it still looks good and flows well enough - if predictably - for eighty minutes before quite a lively denouement deep in the gunwales. I suppose the "code" would have put paid to it had it been made three years later - too many sinful and naughty shenanigans.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.