Performance & Direction: Waxworks Review
Last updated: January 21, 2026
Quick Verdict: Hit or Flop?
Is Waxworks (1924) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 6.4/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Fantasy.
Cast Performances: A Masterclass
The success of any Fantasy is often anchored by its ensemble, and Waxworks features a noteworthy lineup led by Emil Jannings . Supported by the likes of Conrad Veidt and William Dieterle , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Waxworks (1924) is mixed. With an audience rating of 6.4/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: Waxworks
Quick Plot Summary: Waxworks is a Fantasy, Horror film that transports viewers to imaginative worlds filled with magic, wonder, and epic adventures. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Waxworks
Ending Breakdown: Waxworks concludes its story with a mix of closure and open interpretation. The finale presents its approach to fantasy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the fantasy themes established throughout the runtime.
The final moments of Waxworks reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Waxworks?
Worth Watching If You:
- Enjoy Fantasy films and don't mind familiar tropes
- Are a fan of the cast or director
- Want solid genre entertainment
Top Cast: Waxworks
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Where to Watch Waxworks Online?
Streaming HubWaxworks Parents Guide & Age Rating
1924 AdvisoryWondering about Waxworks age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Waxworks is 83 minutes (1h 23m). Ensuring you have enough time for the full cinematic experience.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 6.4/10, and global collection metrics, Waxworks stands as a challenging project for the creators. It remains an essential piece of the 1924 cinematic year.
Frequently Asked Questions
Is Waxworks worth watching?
Waxworks is definitely worth watching if you enjoy Fantasy movies. It has a verified rating of 6.4/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Waxworks parents guide and age rating?
The official parents guide for Waxworks identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Waxworks?
The total duration of Waxworks is 83 minutes, which is approximately 1h 23m long.
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Critic Reviews for Waxworks
There is more than a little of the "Dr. Caligari" (1921) to this compendium of three stories. Visually very similar in style, with angular - seemingly disjointed and out of scale sets and wonderfully targeted use of lighting serves to augment these episodes. A waxworks provides that environment where William Dieterle works, charged with writing some texts to accompany the effigies of three historical figures. The first is a fun "Arabian Nights" tale with Emil Jannings as "Harun", the second sees Conrad Veitd portray the Russian Czar Ivan IV (the terrible), finally he embarks on a tale of "Jack the Ripper" - supplied by Werner Krauss. As he writes, he imagines that he - and the owner's daughter - Olga Beljeff - are actually part of his series. All three present them with comical and perilous escapades, the first sees Jannings unceremoniously stuffed into a baker's oven, having fallen in love with the wife of the baker; the second depicts Ivan as a megalomanic reduced to simpering dolt and the final story is left hanging intriguingly as the would be author finally succumbs to sleep. For what it's worth, my favourite is the second story - but the third one is probably the more accomplished piece of cinema. The techniques of overlaying the film to give us an haunting feeling as "Jack" stalks his victims is really quite effective - if all too brief. As three short stories, this works well and though I am certainly no expert on German cinema, this has to be one of the more enjoyable - with engaging characters and plots - "expressionism" efforts I have yet encountered.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









