Is 400 Against 1: A History of Organized Crime Worth Watching? Honest Movie Review & Audience Verdict (2010)

The Narrative Arc & Core Premise

400 Against 1: A History of Organized Crime, a standout production of 2010, meticulously weaves its narrative threads through the Action, Crime, Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. As the story unfolds, we are introduced to a world where the traditional boundaries of Action, Crime, Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. It shows him living together with the political prisoners incurred under the same National Security Law and his leadership in the Ilha Grande Prison creating a type of unheard of conduct and solidarity in the Brazilian prisons. The film goes on to tell of the group's actions on the streets of Rio de Janeiro during the beginning of the 80s when they irritated the police with their daring robberies, as well as portraying the surprising love story between William and Tereza. The narrative weaves its way between the intimate conflict and the spectacular assaults and escapes."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In 400 Against 1: A History of Organized Crime, we see Daniel de Oliveira utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.

The direction by Caco Souza is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 98 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is 400 Against 1: A History of Organized Crime truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Action, Crime, Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5.5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, 400 Against 1: A History of Organized Crime explores the dichotomy of strength and vulnerability. The 2010 audience is increasingly sophisticated, and Caco Souza respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, 400 Against 1: A History of Organized Crime serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Daniel de Oliveira or the critical acclaim surrounding its release, 400 Against 1: A History of Organized Crime is a film that demands to be seen on the largest screen possible.