
Is A Fist in the Side Worth Watching? Honest Movie Review & Audience Verdict (1924)
Ivan Lopatin, a Red Army soldier who has arrived in the village, convinces the peasants of the need to insure their livestock and buildings. But a kulak, on the advice of the priest, sets fire to Lopatin's yard. The fire destroys half of the village, and the priest, having quarreled with the kulak, tells the peasants the name of the arsonist. The kulak is arrested, and the peasants receive insurance money. The film ends with documentary footage of M.I. Kalinin's speech to the workers.
✨ The Quick Verdict
If you are a fan of Drama cinema, then A Fist in the Side offers a standard experience that justifies its existence in the 1924 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1924, A Fist in the Side represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama category. The primary thematic concern of the film is an investigation into Ivan Lopatin, a Red Army soldier who has arrived in the village, convinces the peasants of the need to insure their livestock and buildings. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Ivan Lopatin, a Red Army soldier who has arrived in the village, convinces the peasants of the need to insure their livestock and buildings. But a kulak, on the advice of the priest, sets fire to Lopatin's yard. The fire destroys half of the village, and the priest, having quarreled with the kulak, tells the peasants the name of the arsonist. The kulak is arrested, and the peasants receive insurance money. The film ends with documentary footage of M.I. Kalinin's speech to the workers."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Ivan Shtraukh provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Yakov Poselsky is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is A Fist in the Side truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, A Fist in the Side explores the dichotomy of truth and perception. The 1924 audience is increasingly sophisticated, and Yakov Poselsky respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, A Fist in the Side is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Ivan Shtraukh or the critical acclaim surrounding its release, A Fist in the Side is a film that demands to be seen on the largest screen possible.