RATING★ TBA
WORTH IT? NO
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Expert Review & Ratings

See our full critical analysis and audience score for A Girl Screams.

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WORTH WATCHING: MIXED
Editorial Verified

Is A Girl Screams Worth Watching? Honest Movie Review & Audience Verdict (1961)

Mustafa Khan Ilchi (Trous) decides to marry off his daughter Maryam to a wealthy old man to save himself from bankruptcy. Maryam, with sadness, leaves her father's house, and in the street, after being harassed by Sosol and Topol, a young wrestler named Sharif arrives and takes Maryam to his mother's house. Mustafa Khan announces his daughter's disappearance in the newspaper, and Sosol and Topol extort money from him by pretending to know Maryam's whereabouts. Sharif's mother, seeing Maryam's picture in the newspaper, asks her to leave their house. After leaving the house, Maryam encounters a blind girl in a coffee shop and gives her necklace and clothes to her. The blind girl is killed by falling into the river, and newspapers report that Maryam has committed suicide. Sharif, with Jafar, Mustafa Khan's driver, goes in search of Maryam and finds her in a village. Sharif defeats his Italian opponent Alberto in a match, and Mustafa Khan embraces him and his daughter on the wrestling mat.

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✨ The Quick Verdict

SKIP IT

If you are a fan of cinema, then A Girl Screams offers a standard experience that justifies its existence in the 1961 landscape.

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👥 Target Audience

casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

Debuting in 1961, A Girl Screams represents a sophisticated intersection of artistic ambition and genre-defining elements within the Modern Cinema category. The primary thematic concern of the film is an investigation into Mustafa Khan Ilchi (Trous) decides to marry off his daughter Maryam to a wealthy old man to save himself from bankruptcy. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Mustafa Khan Ilchi (Trous) decides to marry off his daughter Maryam to a wealthy old man to save himself from bankruptcy. Maryam, with sadness, leaves her father's house, and in the street, after being harassed by Sosol and Topol, a young wrestler named Sharif arrives and takes Maryam to his mother's house. Mustafa Khan announces his daughter's disappearance in the newspaper, and Sosol and Topol extort money from him by pretending to know Maryam's whereabouts. Sharif's mother, seeing Maryam's picture in the newspaper, asks her to leave their house. After leaving the house, Maryam encounters a blind girl in a coffee shop and gives her necklace and clothes to her. The blind girl is killed by falling into the river, and newspapers report that Maryam has committed suicide. Sharif, with Jafar, Mustafa Khan's driver, goes in search of Maryam and finds her in a village. Sharif defeats his Italian opponent Alberto in a match, and Mustafa Khan embraces him and his daughter on the wrestling mat."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Mohamad Ali Fardin does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Khosrow Parvizi is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 102 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is A Girl Screams truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, A Girl Screams explores the dichotomy of truth and perception. The 1961 audience is increasingly sophisticated, and Khosrow Parvizi respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, A Girl Screams is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Mohamad Ali Fardin or the critical acclaim surrounding its release, A Girl Screams is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

102MIN

At approximately 1.7 hours, the film requires a standard time commitment.

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