Is All This, and Heaven Too Worth Watching? Honest Movie Review & Audience Verdict (1940)

The Narrative Arc & Core Premise

All This, and Heaven Too, a standout production of 1940, meticulously weaves its narrative threads through the Drama, Romance landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Romance are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Anchoring the narrative with a presence that is both commanding and subtle, Bette Davis delivers a turn that is both technically flawless and emotionally resonant. This is Drama acting at its most potent.

The direction by Anatole Litvak is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 141 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is All This, and Heaven Too truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Romance, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to transcend its genre labels is why it has earned its 7.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, All This, and Heaven Too explores the dichotomy of truth and perception. The 1940 audience is increasingly sophisticated, and Anatole Litvak respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, All This, and Heaven Too serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Bette Davis or the critical acclaim surrounding its release, All This, and Heaven Too is a film that demands to be seen on the largest screen possible.