Profit & Loss Analysis

Is Always Goodbye Worth Watching? Honest Movie Review & Audience Verdict (1938)
Following the death of her fiancé, Margot Weston is left pregnant and unmarried. Former doctor Jim Howard helps the desperate Margot. When her son is born, Jim helps her find a hom...
✨ The Quick Verdict
If you are a fan of Comedy, Drama, Romance cinema, then Always Goodbye offers a standard experience that justifies its existence in the 1938 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Always Goodbye, a standout production of 1938, meticulously weaves its narrative threads through the Comedy, Drama, Romance landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Following the death of her fiancé, Margot Weston is left pregnant and unmarried. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Drama, Romance are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Following the death of her fiancé, Margot Weston is left pregnant and unmarried. Former doctor Jim Howard helps the desperate Margot. When her son is born, Jim helps her find a home for the baby with Phil Marshall and his wife. Margot insists that neither the Marshalls nor the child can ever know that she is his mother."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Always Goodbye, we see Barbara Stanwyck utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Sidney Lanfield is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 75 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Always Goodbye truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Drama, Romance, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.8/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Always Goodbye explores the dichotomy of truth and perception. The 1938 audience is increasingly sophisticated, and Sidney Lanfield respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Always Goodbye serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Barbara Stanwyck or the critical acclaim surrounding its release, Always Goodbye is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.3 hours, the film requires a standard time commitment.