Is Bauhaus: Archive Worth Watching? Honest Movie Review & Audience Verdict (1984)
Live concert footage of Bauhaus, filmed at The Old Vic Theatre in London on 24 February 1982. The first track ‘Lagartija Nick’, is shot as a dramatised film without any involvement from the band on screen. Shot in a Victorian sepia theme, it sets up the scene of the concert being viewed as a show played on an old film projector with the sound coming from a gramophone. The remainder of the film continues whereby the live tracks are intercut with footage of the viewer watching the show. Directed by Christopher Robin Collins. Produced for Standard Pictures. A Beggars Banquet Production. Tracklist: 1. Lagartija Nick / 2. The Passion Of Lovers / 3. Kick In The Eye / 4. A God In The Alcove / 5. Dancing / 6. Hair Of The Dog / 7. Stigmata Martyr / 8. Dark Entries / 9. We Love Our Audience / 10. Sanity Assassin. -Released in 2005 as 'Bauhaus: Shadow of Light/Archive', which was a double DVD that included the companion 'Bauhaus:Shadow of Light (1983)' as the first disc.
✨ The Quick Verdict
If you are a fan of cinema, then Bauhaus: Archive offers a standard experience that justifies its existence in the 1984 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1984, Bauhaus: Archive represents a sophisticated intersection of artistic ambition and genre-defining elements within the Modern Cinema category. The primary thematic concern of the film is an investigation into Live concert footage of Bauhaus, filmed at The Old Vic Theatre in London on 24 February 1982. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Live concert footage of Bauhaus, filmed at The Old Vic Theatre in London on 24 February 1982. The first track ‘Lagartija Nick’, is shot as a dramatised film without any involvement from the band on screen. Shot in a Victorian sepia theme, it sets up the scene of the concert being viewed as a show played on an old film projector with the sound coming from a gramophone. The remainder of the film continues whereby the live tracks are intercut with footage of the viewer watching the show. Directed by Christopher Robin Collins. Produced for Standard Pictures. A Beggars Banquet Production. Tracklist: 1. Lagartija Nick / 2. The Passion Of Lovers / 3. Kick In The Eye / 4. A God In The Alcove / 5. Dancing / 6. Hair Of The Dog / 7. Stigmata Martyr / 8. Dark Entries / 9. We Love Our Audience / 10. Sanity Assassin. -Released in 2005 as 'Bauhaus: Shadow of Light/Archive', which was a double DVD that included the companion 'Bauhaus:Shadow of Light (1983)' as the first disc."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Peter Murphy provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Christopher Collins is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 40 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Bauhaus: Archive truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Bauhaus: Archive explores the dichotomy of truth and perception. The 1984 audience is increasingly sophisticated, and Christopher Collins respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Bauhaus: Archive is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Peter Murphy or the critical acclaim surrounding its release, Bauhaus: Archive is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.7 hours, the film requires a standard time commitment.