Is Berdjoang Worth Watching? Honest Movie Review & Audience Verdict (1943)
Anang, Saman and Ahmad are three best friends from a village in Subang. Anang and Ahmad fall in love with Saman's sister, Hasanah. When the call for enrollment in Heiho (army troops formed by Japanese) is announced, Anang and Saman register themselves but Ahmad does not. Anang is accepted as a soldier. When the village people welcome the Heiho, Ahmad commits theft. Hasanah's heart leans more and more towards Anang, and she yearns for his return.
✨ The Quick Verdict
If you are a fan of Drama cinema, then Berdjoang offers a standard experience that justifies its existence in the 1943 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Drama cinema, the 1943 release of Berdjoang stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Anang, Saman and Ahmad are three best friends from a village in Subang. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Anang, Saman and Ahmad are three best friends from a village in Subang. Anang and Ahmad fall in love with Saman's sister, Hasanah. When the call for enrollment in Heiho (army troops formed by Japanese) is announced, Anang and Saman register themselves but Ahmad does not. Anang is accepted as a soldier. When the village people welcome the Heiho, Ahmad commits theft. Hasanah's heart leans more and more towards Anang, and she yearns for his return."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Moh. Mochtar, the performance in Berdjoang feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Rd Ariffien is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Berdjoang truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Berdjoang explores the dichotomy of truth and perception. The 1943 audience is increasingly sophisticated, and Rd Ariffien respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Berdjoang is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Moh. Mochtar or the critical acclaim surrounding its release, Berdjoang is a film that demands to be seen on the largest screen possible.