Is CID: Four Moments of Life (Dawn, Noon, Dusk, Night) Worth Watching? Honest Movie Review & Audience Verdict (1976)
Four episodes combined. Dawn: the first cop goes to interrogate the parents of a babygirl who got burnt by an iron. These, eventually admit to be the one responsible but they state it was an accident. Going back on a bus, he reads a newspaper article reporting another case of violence against minors. Noon: the moustached cop cop collects the report of a mother regarding the presence of perverts in her building. A thirteen-year-old girl is spotted with a man in equivocal acts: when she is interrogated she shows no signs of anxiety. Dusk: in a nursing home a guest kills another old man with an axe. He is interrogated by the older cop who, once back home, talks with his wife and daughter while watching sadly TV. Night: the fourth cop is in a disco when he gets the call that a collegue’s wife was the victim of a hit and run. The following morning he goes back to the office.
✨ The Quick Verdict
If you are a fan of TV Movie cinema, then CID: Four Moments of Life (Dawn, Noon, Dusk, Night) offers a standard experience that justifies its existence in the 1976 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
CID: Four Moments of Life (Dawn, Noon, Dusk, Night), a standout production of 1976, meticulously weaves its narrative threads through the TV Movie landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Four episodes combined. As the story unfolds, we are introduced to a world where the traditional boundaries of TV Movie are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Four episodes combined. Dawn: the first cop goes to interrogate the parents of a babygirl who got burnt by an iron. These, eventually admit to be the one responsible but they state it was an accident. Going back on a bus, he reads a newspaper article reporting another case of violence against minors. Noon: the moustached cop cop collects the report of a mother regarding the presence of perverts in her building. A thirteen-year-old girl is spotted with a man in equivocal acts: when she is interrogated she shows no signs of anxiety. Dusk: in a nursing home a guest kills another old man with an axe. He is interrogated by the older cop who, once back home, talks with his wife and daughter while watching sadly TV. Night: the fourth cop is in a disco when he gets the call that a collegue’s wife was the victim of a hit and run. The following morning he goes back to the office."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Simon Yam, the performance in CID: Four Moments of Life (Dawn, Noon, Dusk, Night) feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Patrick Tam Kar-Ming is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 50 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is CID: Four Moments of Life (Dawn, Noon, Dusk, Night) truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of TV Movie, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, CID: Four Moments of Life (Dawn, Noon, Dusk, Night) explores the dichotomy of truth and perception. The 1976 audience is increasingly sophisticated, and Patrick Tam Kar-Ming respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, CID: Four Moments of Life (Dawn, Noon, Dusk, Night) is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Simon Yam or the critical acclaim surrounding its release, CID: Four Moments of Life (Dawn, Noon, Dusk, Night) is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.8 hours, the film requires a standard time commitment.