RATING★ 5.6
WORTH IT? MAYBE
Cinderella or The Glass Slipper backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for Cinderella or The Glass Slipper.

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WORTH WATCHING: MIXED
Editorial Verified

Is Cinderella or The Glass Slipper Worth Watching? Honest Movie Review & Audience Verdict (1912)

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

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✨ The Quick Verdict

ONE-TIME WATCH

If you are a fan of Drama, Fantasy cinema, then Cinderella or The Glass Slipper offers a standard experience that justifies its existence in the 1912 landscape.

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👥 Target Audience

Fans of Drama films
Fans of Fantasy films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Drama, Fantasy cinema, the 1912 release of Cinderella or The Glass Slipper stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Georges Méliès's first attempt at Cinderella was in 1899. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Fantasy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Louise Lagrange, delivers a professional and engaging performance that satisfies the requirements of the Drama, Fantasy genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.

The direction by Georges Méliès is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 24 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Cinderella or The Glass Slipper truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Fantasy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5.6/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Cinderella or The Glass Slipper explores the dichotomy of truth and perception. The 1912 audience is increasingly sophisticated, and Georges Méliès respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Cinderella or The Glass Slipper serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Louise Lagrange or the critical acclaim surrounding its release, Cinderella or The Glass Slipper is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

24MIN

At approximately 0.4 hours, the film requires a standard time commitment.

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