Is Derailments Worth Watching? Honest Movie Review & Audience Verdict (2011)
Frederico Fellini's unmade film ll Viaggio di G. Mastorna Detto Fernet became a graphic novel, just before Fellini's death in 1993. This is the story of how that came to be, as told by long time Fellini collaborator and illustrator for ll Viaggio di G. Mastorna, Milo Manera. Combining still photography and moving images, the piece which was produced in conjunction with Fabrica, premiered at the Toronto International Film Festival in 2011. The short is anchored by an interview with Milo Minara shot entirely in stills. The interview discusses his personal take on the main existentialist themes of the book; this interview has been intercut with the actual graphic novel and what appears to be the lost footage (via recreation) of the story's first scene. This short doc is an exploration into dreams and fantasy, moving through different realities. Shot between Milan, Italy and Koln, Germany.
✨ The Quick Verdict
If you are a fan of Documentary cinema, then Derailments offers a standard experience that justifies its existence in the 2011 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2011, Derailments represents a sophisticated intersection of artistic ambition and genre-defining elements within the Documentary category. The primary thematic concern of the film is an investigation into Frederico Fellini's unmade film ll Viaggio di G. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Frederico Fellini's unmade film ll Viaggio di G. Mastorna Detto Fernet became a graphic novel, just before Fellini's death in 1993. This is the story of how that came to be, as told by long time Fellini collaborator and illustrator for ll Viaggio di G. Mastorna, Milo Manera. Combining still photography and moving images, the piece which was produced in conjunction with Fabrica, premiered at the Toronto International Film Festival in 2011. The short is anchored by an interview with Milo Minara shot entirely in stills. The interview discusses his personal take on the main existentialist themes of the book; this interview has been intercut with the actual graphic novel and what appears to be the lost footage (via recreation) of the story's first scene. This short doc is an exploration into dreams and fantasy, moving through different realities. Shot between Milan, Italy and Koln, Germany."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Milo Manara, the performance in Derailments feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Chelsea McMullan is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 11 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Derailments truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Derailments explores the dichotomy of truth and perception. The 2011 audience is increasingly sophisticated, and Chelsea McMullan respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Derailments is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Milo Manara or the critical acclaim surrounding its release, Derailments is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.2 hours, the film requires a standard time commitment.