Is Det er ikke appelsiner - det er heste Worth Watching? Honest Movie Review & Audience Verdict (1967)

The Narrative Arc & Core Premise

In the evolving tapestry of Comedy cinema, the 1967 release of Det er ikke appelsiner - det er heste stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into In inner Copenhagen, in the real old town, in greengrocer Mortensen's property right under Tagskægget, live three good friends: painter Richard Hansen, painter Steffen, sculptor Max, and their friend Louise Mørch. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "In inner Copenhagen, in the real old town, in greengrocer Mortensen's property right under Tagskægget, live three good friends: painter Richard Hansen, painter Steffen, sculptor Max, and their friend Louise Mørch. All three have something very boring in common: they are unknown and penniless. Suddenly, it seems that luck is smiling on them. Charlottenborg has accepted the painting that Richard submitted. Excited, he heads to the exhibition, only to discover that the selection committee has accepted the two packing box lids he used to protect his painting, lids that he uses every day to wipe his brushes on."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Det er ikke appelsiner - det er heste, we see Morten Grunwald utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.

The direction by Ebbe Langberg is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Det er ikke appelsiner - det er heste truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6.7/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Det er ikke appelsiner - det er heste explores the dichotomy of truth and perception. The 1967 audience is increasingly sophisticated, and Ebbe Langberg respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Det er ikke appelsiner - det er heste serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Morten Grunwald or the critical acclaim surrounding its release, Det er ikke appelsiner - det er heste is a film that demands to be seen on the largest screen possible.