Is Divino Inferno – Rodin and the Gates of Hell Worth Watching? Honest Movie Review & Audience Verdict (2017)

The Narrative Arc & Core Premise

Divino Inferno – Rodin and the Gates of Hell, a standout production of 2017, meticulously weaves its narrative threads through the Documentary landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into In 1879, the Minister of Fine Arts Edmond Turquet commissioned Auguste Rodin to create a colossal sculpture for the future Musée des Arts Décoratifs. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "In 1879, the Minister of Fine Arts Edmond Turquet commissioned Auguste Rodin to create a colossal sculpture for the future Musée des Arts Décoratifs. Referring to the bronze door executed in the 15th century by Lorenzo Ghiberti for the Baptistery of Florence, and considered by Michelangelo to be "the door to paradise", Rodin spent over three decades imagining every creature and every detail of La porte de l'enfer. The ten-panel work, inspired by Dante's The Divine Comedy, was never entirely finished. After the artist's death in 1917, several sculptures were extracted from the monumental matrix, including The Thinker and The Kiss."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Geoffrey Bateman, delivers a professional and engaging performance that satisfies the requirements of the Documentary genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.

The direction by Bruno Aveillan is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 61 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Divino Inferno – Rodin and the Gates of Hell truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6.8/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Divino Inferno – Rodin and the Gates of Hell explores the dichotomy of truth and perception. The 2017 audience is increasingly sophisticated, and Bruno Aveillan respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Divino Inferno – Rodin and the Gates of Hell serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Geoffrey Bateman or the critical acclaim surrounding its release, Divino Inferno – Rodin and the Gates of Hell is a film that demands to be seen on the largest screen possible.