Is Dlhý, Široký, Bystrozraký Worth Watching? Honest Movie Review & Audience Verdict (1994)
When magic and malice combine to gain power, bad times can come to the land - and that's exactly what happened in the kingdom our story takes you to. An evil sorcerer decides to kidnap Princess Kvetusha, and out of his desire to control everything, he is aided in his quest by his sister. The young prince decides to set Quetusha, his bride, free. In order to do so, he must not only overcome many hardships along the way, but also accomplish almost impossible tasks at the wizard's castle. He succeeds only thanks to the help of three friends: the Long One, who, when stretched, can reach perhaps to the stars; the Wide One, who, when stretched, can hold more than all the barrels in the world; and the Bright One, who, even blindfolded, can see more and better than the others in broad daylight. They free the princess, punish the evil, and go out into the world to help more. Who knows, maybe these - or other - friends will one day help you too.
✨ The Quick Verdict
If you are a fan of TV Movie, Fantasy, Family cinema, then Dlhý, Široký, Bystrozraký offers a standard experience that justifies its existence in the 1994 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of TV Movie, Fantasy, Family cinema, the 1994 release of Dlhý, Široký, Bystrozraký stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into When magic and malice combine to gain power, bad times can come to the land - and that's exactly what happened in the kingdom our story takes you to. As the story unfolds, we are introduced to a world where the traditional boundaries of TV Movie, Fantasy, Family are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "When magic and malice combine to gain power, bad times can come to the land - and that's exactly what happened in the kingdom our story takes you to. An evil sorcerer decides to kidnap Princess Kvetusha, and out of his desire to control everything, he is aided in his quest by his sister. The young prince decides to set Quetusha, his bride, free. In order to do so, he must not only overcome many hardships along the way, but also accomplish almost impossible tasks at the wizard's castle. He succeeds only thanks to the help of three friends: the Long One, who, when stretched, can reach perhaps to the stars; the Wide One, who, when stretched, can hold more than all the barrels in the world; and the Bright One, who, even blindfolded, can see more and better than the others in broad daylight. They free the princess, punish the evil, and go out into the world to help more. Who knows, maybe these - or other - friends will one day help you too."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Pavol Višňovský provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Ivan Petrovický is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Dlhý, Široký, Bystrozraký truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of TV Movie, Fantasy, Family, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Dlhý, Široký, Bystrozraký explores the dichotomy of truth and perception. The 1994 audience is increasingly sophisticated, and Ivan Petrovický respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Dlhý, Široký, Bystrozraký is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Pavol Višňovský or the critical acclaim surrounding its release, Dlhý, Široký, Bystrozraký is a film that demands to be seen on the largest screen possible.