
Is Donizetti La Favorite Worth Watching? Honest Movie Review & Audience Verdict (2015)
One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.
✨ The Quick Verdict
If you are a fan of Music cinema, then Donizetti La Favorite offers a standard experience that justifies its existence in the 2015 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Donizetti La Favorite, a standout production of 2015, meticulously weaves its narrative threads through the Music landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. As the story unfolds, we are introduced to a world where the traditional boundaries of Music are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Kate Aldrich provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Olivier Simonnet is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 184 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Donizetti La Favorite truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Donizetti La Favorite explores the dichotomy of truth and perception. The 2015 audience is increasingly sophisticated, and Olivier Simonnet respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Donizetti La Favorite is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Kate Aldrich or the critical acclaim surrounding its release, Donizetti La Favorite is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 3.1 hours, the film requires a significant time commitment.