Is Each Evening at Eleven Worth Watching? Honest Movie Review & Audience Verdict (1969)

The Narrative Arc & Core Premise

Each Evening at Eleven, a standout production of 1969, meticulously weaves its narrative threads through the Romance landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into One evening, in the company of his friends, the bachelor Stas for the sake of entertainment called the number, the numbers of which were called by his friends, putting a comic condition: “If a woman answers, you marry her. As the story unfolds, we are introduced to a world where the traditional boundaries of Romance are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "One evening, in the company of his friends, the bachelor Stas for the sake of entertainment called the number, the numbers of which were called by his friends, putting a comic condition: “If a woman answers, you marry her.” A really pleasant female voice responded. Stas didn't dare to admit his company in this, again wanted to hear it, but couldn't remember the phone number. Then he asked everyone to remember their number. Having got acquainted with Lyudmila, Stas realizes that she is the woman of his dreams."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Mikhail Nozhkin, delivers a professional and engaging performance that satisfies the requirements of the Romance genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.

The direction by Samson Samsonov is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 79 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Each Evening at Eleven truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Romance, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5.2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Each Evening at Eleven explores the dichotomy of truth and perception. The 1969 audience is increasingly sophisticated, and Samson Samsonov respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Each Evening at Eleven is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Mikhail Nozhkin or the critical acclaim surrounding its release, Each Evening at Eleven is a film that demands to be seen on the largest screen possible.