Is End of Summer Worth Watching? Honest Movie Review & Audience Verdict (1970)

The Narrative Arc & Core Premise

Debuting in 1970, End of Summer represents a sophisticated intersection of artistic ambition and genre-defining elements within the Modern Cinema category. The primary thematic concern of the film is an investigation into Enrique Vila-Matas directed in 1969 a black and white short film entitled "All the sad young people". As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Enrique Vila-Matas directed in 1969 a black and white short film entitled "All the sad young people". The copy was lost and today there are only a few photographs of the shooting. In 1970 he directed his second work, "End of Summer", played by Maria Reniu, Luis Ciges and Yvonne Sentís and photographed by Xabier Miserachs. The film was premiered at the Benalmádena festival in 1971. The second exhibition took place 39 years later at The Peripheral Film Festival (S8) in La Coruña in a program dedicated to opere prime of filmmakers of the Spanish transition and which had as title: "Peter Pan in the cinema of the Spanish transition""

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. María Reniu does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Enrique Vila-Matas is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is End of Summer truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, End of Summer explores the dichotomy of truth and perception. The 1970 audience is increasingly sophisticated, and Enrique Vila-Matas respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, End of Summer is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of María Reniu or the critical acclaim surrounding its release, End of Summer is a film that demands to be seen on the largest screen possible.