Profit & Loss Analysis

Is Everything Goes Wrong Worth Watching? Honest Movie Review & Audience Verdict (1960)
Everything goes wrong when Jiro tries to break up his mother's relationship with a business man. The young rebel Jiro has to deal with an environment of crime and prostitution, and...
✨ The Quick Verdict
If you are a fan of Drama, Crime cinema, then Everything Goes Wrong offers a standard experience that justifies its existence in the 1960 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Everything Goes Wrong, a standout production of 1960, meticulously weaves its narrative threads through the Drama, Crime landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Everything goes wrong when Jiro tries to break up his mother's relationship with a business man. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Crime are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Everything goes wrong when Jiro tries to break up his mother's relationship with a business man. The young rebel Jiro has to deal with an environment of crime and prostitution, and the impact of its choices on personal relationships: one with his mother, one with her business man lover and one with the girl in love with him."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Everything Goes Wrong, we see Tamio Kawachi utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Seijun Suzuki is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 71 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Everything Goes Wrong truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Crime, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.4/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Everything Goes Wrong explores the dichotomy of truth and perception. The 1960 audience is increasingly sophisticated, and Seijun Suzuki respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Everything Goes Wrong serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Tamio Kawachi or the critical acclaim surrounding its release, Everything Goes Wrong is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.2 hours, the film requires a standard time commitment.