RATING★ TBA
WORTH IT? NO
Fatemeh with the Boots backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for Fatemeh with the Boots.

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WORTH WATCHING: MIXED
Editorial Verified

Is Fatemeh with the Boots Worth Watching? Honest Movie Review & Audience Verdict (1972)

Fatemeh (Yasmin Sadri) runs away from her father's (Hossein Amirfazli) house and is met by a young driver named Nader Siah (Homayun Bahadran). Nader takes her to the house of her mother (Malihe Nasiri) and her brother (Amir). Nader's mother informs Fitne's father and returns the girl to her father's house. A man named Shoja (Mansour Matin) and a driver named Ismail (Mohammad Eskandari) insult Fitne and her friend Mojgan (Marguerite). Fitne keeps the matter a secret from Nader. Fearing disgrace, she marries a young man named Ali (Manouchehr Valizadeh) at Mojgan's suggestion. Parvaneh (Jaleh) decides to kill Fitne; but Ismail prevents her. Ali divorces her to save Fitne's life. When Fitneh decides to start a new life with Nader, Shoja, who has no children, tries to take over Fitneh's son. Shoja and several others go to Nader's house and after a struggle, they kidnap the child. While fleeing, Shoja crashes into a car and dies.

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✨ The Quick Verdict

SKIP IT

If you are a fan of Drama, Romance cinema, then Fatemeh with the Boots offers a standard experience that justifies its existence in the 1972 landscape.

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👥 Target Audience

Fans of Drama films
Fans of Romance films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

Fatemeh with the Boots, a standout production of 1972, meticulously weaves its narrative threads through the Drama, Romance landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Fatemeh (Yasmin Sadri) runs away from her father's (Hossein Amirfazli) house and is met by a young driver named Nader Siah (Homayun Bahadran). As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Romance are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Fatemeh (Yasmin Sadri) runs away from her father's (Hossein Amirfazli) house and is met by a young driver named Nader Siah (Homayun Bahadran). Nader takes her to the house of her mother (Malihe Nasiri) and her brother (Amir). Nader's mother informs Fitne's father and returns the girl to her father's house. A man named Shoja (Mansour Matin) and a driver named Ismail (Mohammad Eskandari) insult Fitne and her friend Mojgan (Marguerite). Fitne keeps the matter a secret from Nader. Fearing disgrace, she marries a young man named Ali (Manouchehr Valizadeh) at Mojgan's suggestion. Parvaneh (Jaleh) decides to kill Fitne; but Ismail prevents her. Ali divorces her to save Fitne's life. When Fitneh decides to start a new life with Nader, Shoja, who has no children, tries to take over Fitneh's son. Shoja and several others go to Nader's house and after a struggle, they kidnap the child. While fleeing, Shoja crashes into a car and dies."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Homayoon Bahadoran does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Homayoon Bahadoran is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 95 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Fatemeh with the Boots truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Romance, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Fatemeh with the Boots explores the dichotomy of truth and perception. The 1972 audience is increasingly sophisticated, and Homayoon Bahadoran respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Fatemeh with the Boots is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Homayoon Bahadoran or the critical acclaim surrounding its release, Fatemeh with the Boots is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

95MIN

At approximately 1.6 hours, the film requires a standard time commitment.

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