Is Felizmente, Há Luar! Worth Watching? Honest Movie Review & Audience Verdict (1993)
Written in 1962, a classic piece by Luís de Sttau Monteiro, in a production by Artur Ramos. The play takes place during the English occupation, after the French Invasions. The court is in Brazil and Portugal governs the Governor, the Cardinal and an Englishman, General Beresford. The people are unhappy and the figure of Gomes Freire de Andrade, the head of Freemasonry, appears as an alternative to the current Power. But the conductors think that Gomes Freire is a danger and decide to arrest him and judge him. His wife does everything to make him loose. Participating Estrela Novais, António Rama, Carlos Daniel, António Marques, Alexandre de Sousa, Manuel Cavaco, Vítor de Sousa, Simão Rubim, Almeno Gonçalves, Luís Alberto, José Gomes, Ana Enes, Silva Heitor, Andrade e Silva, João Didelet and Manuela Cassola.
✨ The Quick Verdict
If you are a fan of cinema, then Felizmente, Há Luar! offers a standard experience that justifies its existence in the 1993 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Felizmente, Há Luar!, a standout production of 1993, meticulously weaves its narrative threads through the Modern Cinema landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Written in 1962, a classic piece by Luís de Sttau Monteiro, in a production by Artur Ramos. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Written in 1962, a classic piece by Luís de Sttau Monteiro, in a production by Artur Ramos. The play takes place during the English occupation, after the French Invasions. The court is in Brazil and Portugal governs the Governor, the Cardinal and an Englishman, General Beresford. The people are unhappy and the figure of Gomes Freire de Andrade, the head of Freemasonry, appears as an alternative to the current Power. But the conductors think that Gomes Freire is a danger and decide to arrest him and judge him. His wife does everything to make him loose. Participating Estrela Novais, António Rama, Carlos Daniel, António Marques, Alexandre de Sousa, Manuel Cavaco, Vítor de Sousa, Simão Rubim, Almeno Gonçalves, Luís Alberto, José Gomes, Ana Enes, Silva Heitor, Andrade e Silva, João Didelet and Manuela Cassola."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of João Didelet provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by the visionary director is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 97 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Felizmente, Há Luar! truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Felizmente, Há Luar! explores the dichotomy of truth and perception. The 1993 audience is increasingly sophisticated, and the visionary director respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Felizmente, Há Luar! is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of João Didelet or the critical acclaim surrounding its release, Felizmente, Há Luar! is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.