
Is France 1939: One Last Summer Worth Watching? Honest Movie Review & Audience Verdict (2019)
Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. He was not alone. Many other anonymous French men and women wrote of the beauty and warmth of those summer months and how threats of war were far from their minds. Through home movies, diaries and letters, One Last Summer describes the final weeks of peace in France and the mix of blindness, denial and prophetic clear-sightedness of those facing the war that was about to unfold.
✨ The Quick Verdict
If you are a fan of Documentary, History cinema, then France 1939: One Last Summer offers a standard experience that justifies its existence in the 2019 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Documentary, History cinema, the 2019 release of France 1939: One Last Summer stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary, History are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. He was not alone. Many other anonymous French men and women wrote of the beauty and warmth of those summer months and how threats of war were far from their minds. Through home movies, diaries and letters, One Last Summer describes the final weeks of peace in France and the mix of blindness, denial and prophetic clear-sightedness of those facing the war that was about to unfold."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Emmanuel Carrère, the performance in France 1939: One Last Summer feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Ruth Zylberman is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 61 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is France 1939: One Last Summer truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, History, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, France 1939: One Last Summer explores the dichotomy of truth and perception. The 2019 audience is increasingly sophisticated, and Ruth Zylberman respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, France 1939: One Last Summer is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Emmanuel Carrère or the critical acclaim surrounding its release, France 1939: One Last Summer is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.0 hours, the film requires a standard time commitment.