
Is Gary Moore: Live From Baloise Session Worth Watching? Honest Movie Review & Audience Verdict (2008)
We didn’t know it then, but when Moore took the stage for the Baloise Session – formerly known as AVO Session – on November 13, 2008, he was less than three years away from his untimely passing at the age of 58. Yet this very special performance – captured for the Live From Baloise Session CD/Blu-ray, released May 23rd on Mascot/Provogue – reminds us that the guitarist played with untouchable skill and molten soul, right to the end. With no fuss or fanfare, the bandleader – flanked by Pete Rees on bass, Vic Martin on keys and fabled Thin Lizzy drummer Brian Downey – walks from the wings, plugs his Les Paul into twin Marshall stacks and fires up Oh, Pretty Woman, the fiery Albert King cover that was a highlight of Still Got The Blues. Tracklisting: 1. Oh, Pretty Woman 2. Since I Met You Baby 3. Thirty Days (To Come Back Home) 4. I Love You More Than You'll Ever Know 5. Don't Believe a Word 6. Still Got the Blues 7. Walking by Myself 8. The Blues Is Alright
✨ The Quick Verdict
If you are a fan of Music cinema, then Gary Moore: Live From Baloise Session offers a fresh and engaging experience that justifies its existence in the 2008 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2008, Gary Moore: Live From Baloise Session represents a sophisticated intersection of artistic ambition and genre-defining elements within the Music category. The primary thematic concern of the film is an investigation into We didn’t know it then, but when Moore took the stage for the Baloise Session – formerly known as AVO Session – on November 13, 2008, he was less than three years away from his untimely passing at the age of 58. As the story unfolds, we are introduced to a world where the traditional boundaries of Music are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "We didn’t know it then, but when Moore took the stage for the Baloise Session – formerly known as AVO Session – on November 13, 2008, he was less than three years away from his untimely passing at the age of 58. Yet this very special performance – captured for the Live From Baloise Session CD/Blu-ray, released May 23rd on Mascot/Provogue – reminds us that the guitarist played with untouchable skill and molten soul, right to the end. With no fuss or fanfare, the bandleader – flanked by Pete Rees on bass, Vic Martin on keys and fabled Thin Lizzy drummer Brian Downey – walks from the wings, plugs his Les Paul into twin Marshall stacks and fires up Oh, Pretty Woman, the fiery Albert King cover that was a highlight of Still Got The Blues. Tracklisting: 1. Oh, Pretty Woman 2. Since I Met You Baby 3. Thirty Days (To Come Back Home) 4. I Love You More Than You'll Ever Know 5. Don't Believe a Word 6. Still Got the Blues 7. Walking by Myself 8. The Blues Is Alright"
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Anchoring the narrative with a presence that is both commanding and subtle, Gary Moore delivers a turn that is both technically flawless and emotionally resonant. This is Music acting at its most potent.
The direction by Roli Bärlocher is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 53 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Gary Moore: Live From Baloise Session truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.
The film's ability to transcend its genre labels is why it has earned its 7.7/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Gary Moore: Live From Baloise Session explores the dichotomy of truth and perception. The 2008 audience is increasingly sophisticated, and Roli Bärlocher respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Gary Moore: Live From Baloise Session is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Gary Moore or the critical acclaim surrounding its release, Gary Moore: Live From Baloise Session is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.9 hours, the film requires a standard time commitment.