RATING★ TBA
WORTH IT? NO
Giordano: Andrea Chénier - Teatro alla Scala backdrop
🏆

Expert Review & Ratings

See our full critical analysis and audience score for Giordano: Andrea Chénier - Teatro alla Scala.

View Review →
WORTH WATCHING: MIXED
Editorial Verified

Is Giordano: Andrea Chénier - Teatro alla Scala Worth Watching? Honest Movie Review & Audience Verdict (2017)

Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.

Advertisement

✨ The Quick Verdict

SKIP IT

If you are a fan of Music, Drama, Romance cinema, then Giordano: Andrea Chénier - Teatro alla Scala offers a standard experience that justifies its existence in the 2017 landscape.

Advertisement

👥 Target Audience

Fans of Music films
Fans of Drama films
Fans of Romance films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

Giordano: Andrea Chénier - Teatro alla Scala, a standout production of 2017, meticulously weaves its narrative threads through the Music, Drama, Romance landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. As the story unfolds, we are introduced to a world where the traditional boundaries of Music, Drama, Romance are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Yusif Eyvazov does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by the visionary director is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 208 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Giordano: Andrea Chénier - Teatro alla Scala truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, Drama, Romance, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Giordano: Andrea Chénier - Teatro alla Scala explores the dichotomy of truth and perception. The 2017 audience is increasingly sophisticated, and the visionary director respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Giordano: Andrea Chénier - Teatro alla Scala is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Yusif Eyvazov or the critical acclaim surrounding its release, Giordano: Andrea Chénier - Teatro alla Scala is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

208MIN

At approximately 3.5 hours, the film requires a significant time commitment.

Advertisement