Is Gira Worth Watching? Honest Movie Review & Audience Verdict (2017)
The rites of ‘Umbanda’ – one of the most widely practiced Brazil-born religions, which resulted from a combination of ‘Candomblé’ with Catholicism and Kardecism – serve as the great source of inspiration for the aesthetic scene design of Gira. ‘Exu’, the most human of the ‘Orixás’ – without whom, in religions of African origin, the ritual simply won’t happen – is the main poetic imagery which evokes the eleven musical themes especially created by Metá Metá, for Gira. First and foremost, the artistic creators of Grupo Corpo had to delve into the universe of Afro-Brazilian religions in preparation for the theme proposed by Metá Metá. However, the performance is far from being a mimetic representation of these syncretic rituals. Instead, the choreographer Rodrigo Pederneiras re(constructs) the powerful glossary of gestures and movement he accessed as he experienced rites of ‘Camdomblé’ as well as ‘Umbanda’, particularly ‘Exu’ ceremonies (giras de Exu).
✨ The Quick Verdict
If you are a fan of cinema, then Gira offers a standard experience that justifies its existence in the 2017 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2017, Gira represents a sophisticated intersection of artistic ambition and genre-defining elements within the Modern Cinema category. The primary thematic concern of the film is an investigation into The rites of ‘Umbanda’ – one of the most widely practiced Brazil-born religions, which resulted from a combination of ‘Candomblé’ with Catholicism and Kardecism – serve as the great source of inspiration for the aesthetic scene design of Gira. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The rites of ‘Umbanda’ – one of the most widely practiced Brazil-born religions, which resulted from a combination of ‘Candomblé’ with Catholicism and Kardecism – serve as the great source of inspiration for the aesthetic scene design of Gira. ‘Exu’, the most human of the ‘Orixás’ – without whom, in religions of African origin, the ritual simply won’t happen – is the main poetic imagery which evokes the eleven musical themes especially created by Metá Metá, for Gira. First and foremost, the artistic creators of Grupo Corpo had to delve into the universe of Afro-Brazilian religions in preparation for the theme proposed by Metá Metá. However, the performance is far from being a mimetic representation of these syncretic rituals. Instead, the choreographer Rodrigo Pederneiras re(constructs) the powerful glossary of gestures and movement he accessed as he experienced rites of ‘Camdomblé’ as well as ‘Umbanda’, particularly ‘Exu’ ceremonies (giras de Exu)."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Grupo Corpo does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.
The direction by Rodrigo Pederneiras is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 41 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Gira truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Gira explores the dichotomy of truth and perception. The 2017 audience is increasingly sophisticated, and Rodrigo Pederneiras respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Gira is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Grupo Corpo or the critical acclaim surrounding its release, Gira is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.7 hours, the film requires a standard time commitment.