RATING★ 1.0
WORTH IT? NO
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Expert Review & Ratings

See our full critical analysis and audience score for Girlfriends.

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WORTH WATCHING: MIXED
Editorial Verified

Is Girlfriends Worth Watching? Honest Movie Review & Audience Verdict (1996)

"Girlfriends" takes a stab at pre-"Sex and the City" in Chicago, as three 20-something female friends bond together downtown after they lock themselves out of their car. Of all the principal leads, Jacqueline Fleming comes off the strongest. As the high powered black female in the film, she's a no-nonsense diva whose your worst nightmare ("I'm a black woman whose lost her house keys"). There's a glow about Fleming that inhibits her character, and she's also brassy and gorgeous. All three women are attractive- the other two are white women, one is a ditsy lesbian and the other is a sexual bunny who changes outfits a lot. Directed by the talented Marlies Carruth, "Girlfriends" has witty dialogue almost too witty for the women its about- in one scene in a coffee shop, a guy holds the place up, only to be dissected by one of the women as she confabulates to him using preppy vocabulary words. Will the girls get that tow-truck they need?

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✨ The Quick Verdict

SKIP IT

If you are a fan of cinema, then Girlfriends offers a standard experience that justifies its existence in the 1996 landscape.

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👥 Target Audience

casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Modern Cinema cinema, the 1996 release of Girlfriends stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into "Girlfriends" takes a stab at pre-"Sex and the City" in Chicago, as three 20-something female friends bond together downtown after they lock themselves out of their car. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: ""Girlfriends" takes a stab at pre-"Sex and the City" in Chicago, as three 20-something female friends bond together downtown after they lock themselves out of their car. Of all the principal leads, Jacqueline Fleming comes off the strongest. As the high powered black female in the film, she's a no-nonsense diva whose your worst nightmare ("I'm a black woman whose lost her house keys"). There's a glow about Fleming that inhibits her character, and she's also brassy and gorgeous. All three women are attractive- the other two are white women, one is a ditsy lesbian and the other is a sexual bunny who changes outfits a lot. Directed by the talented Marlies Carruth, "Girlfriends" has witty dialogue almost too witty for the women its about- in one scene in a coffee shop, a guy holds the place up, only to be dissected by one of the women as she confabulates to him using preppy vocabulary words. Will the girls get that tow-truck they need?"

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Bethany Anderson, the performance in Girlfriends feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.

The direction by Marlies Carruth is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 80 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Girlfriends truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 1/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Girlfriends explores the dichotomy of truth and perception. The 1996 audience is increasingly sophisticated, and Marlies Carruth respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Girlfriends is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Bethany Anderson or the critical acclaim surrounding its release, Girlfriends is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

80MIN

At approximately 1.3 hours, the film requires a standard time commitment.

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