Is Going West to Make Good Worth Watching? Honest Movie Review & Audience Verdict (1916)
Tom Gilmore, a wealthy young easterner, loves Vicky, but she refuses to marry him because of her thoughts of the great free west. Vicky visits her uncle a western ranch owner. Tom decides to follow Vicky westward, and try the life of a cowboy. However, he reaches before Vicky, and soon learns the ways of the cowpunchers.
✨ The Quick Verdict
If you are a fan of Western cinema, then Going West to Make Good offers a standard experience that justifies its existence in the 1916 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Western cinema, the 1916 release of Going West to Make Good stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Tom Gilmore, a wealthy young easterner, loves Vicky, but she refuses to marry him because of her thoughts of the great free west. As the story unfolds, we are introduced to a world where the traditional boundaries of Western are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Tom Gilmore, a wealthy young easterner, loves Vicky, but she refuses to marry him because of her thoughts of the great free west. Vicky visits her uncle a western ranch owner. Tom decides to follow Vicky westward, and try the life of a cowboy. However, he reaches before Vicky, and soon learns the ways of the cowpunchers."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Tom Mix does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.
The direction by Tom Mix is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 11 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Going West to Make Good truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Western, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Going West to Make Good explores the dichotomy of truth and perception. The 1916 audience is increasingly sophisticated, and Tom Mix respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Going West to Make Good is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Tom Mix or the critical acclaim surrounding its release, Going West to Make Good is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.2 hours, the film requires a standard time commitment.