
Is Good Satan Worth Watching? Honest Movie Review & Audience Verdict (2012)
A camera crew has the unique opportunity to record Satan in his natural habitat and it looks like he's quite happy with it. He has the perfect job, he is for the most part feared and respected, and his minions jump to his every whim. After 6,000 years he is invited back to heaven, and he goes - expecting to return to his place beside God as Lucifer, the Angel of Light. But when it turns out the invitation is not for the expected welcome home, but is rather for Christ's Second Coming-out party, things quickly go to hell. Worse, his former girlfriend is now partnering with the biggest douche-bag in Heaven. Satan decides he misses the place anyway, and wants back in. So he decides he needs to find a way to re-earn God's respect in order to be welcomed back. We learn that the Devil does for once care - kind of.
β¨ The Quick Verdict
If you are a fan of Comedy cinema, then Good Satan offers a standard experience that justifies its existence in the 2012 landscape.
π₯ Target Audience
π Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2012, Good Satan represents a sophisticated intersection of artistic ambition and genre-defining elements within the Comedy category. The primary thematic concern of the film is an investigation into A camera crew has the unique opportunity to record Satan in his natural habitat and it looks like he's quite happy with it. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A camera crew has the unique opportunity to record Satan in his natural habitat and it looks like he's quite happy with it. He has the perfect job, he is for the most part feared and respected, and his minions jump to his every whim. After 6,000 years he is invited back to heaven, and he goes - expecting to return to his place beside God as Lucifer, the Angel of Light. But when it turns out the invitation is not for the expected welcome home, but is rather for Christ's Second Coming-out party, things quickly go to hell. Worse, his former girlfriend is now partnering with the biggest douche-bag in Heaven. Satan decides he misses the place anyway, and wants back in. So he decides he needs to find a way to re-earn God's respect in order to be welcomed back. We learn that the Devil does for once care - kind of."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Scott Rutherford, delivers a professional and engaging performance that satisfies the requirements of the Comedy genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.
The direction by Sara Lohman is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 81 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Good Satan truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5.4/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Good Satan explores the dichotomy of truth and perception. The 2012 audience is increasingly sophisticated, and Sara Lohman respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Good Satan is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Scott Rutherford or the critical acclaim surrounding its release, Good Satan is a film that demands to be seen on the largest screen possible.
β³ Time Investment
At approximately 1.4 hours, the film requires a standard time commitment.